Painting of a woman wearing a long black dress with a white scarf tied around her neck. She holds a bouquet of flowers and wears a wedding ring, and looks down toward the ground with a solemn disposition. The sun sets in the background, illuminating a far away church steeple.
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Love's Melancholy

Constant Mayer (American, born France, 1832–1911)

1866

Medium
Oil on canvas
Classification
Painting
Dimensions
51.4 × 35.6 cm (20 1/4 × 14 in.)
Culture
United States
Museum
Art Institute of Chicago, Arts of the Americas
Credit line
Purchased with funds provided by Mrs. Herbert A. Vance
Rights
Public domain (CC0), as the museum states it.
Who can see it
Tweens profiles and older: its subjects are known and suit older children. How works are placed

View at the Art Institute of Chicago

About this work

Constant Mayer specialized in sentimental scenes of everyday life yet he also displayed a fidelity to nature that harmonized with the detailed landscapes painted by contemporary artists known as the Pre-Raphaelites. The young woman’s black dress, solemn disposition, and wedding ring signal a state of mourning. A church steeple in the background symbolizes her faith and purity, while the vegetation and stonework in the foreground suggest that she stands near her loved one’s grave. The golden lighting, low vantage point, and the figure’s windblown hair contribute to the air of introspection. Executed just after the Civil War, Love’s Melancholy resonated with the American public, who likely came to know the painting through a color reproduction that was produced and distributed by 1869.

Description © Art Institute of Chicago, CC BY 4.0