Flowering Cherry and Autumn Maples with Poem Slips

Tosa Mitsuoki (Japanese, 1617-1691)

1654/81

Medium
Pair of six-panel screens; ink, color, gold and silver on silk
Classification
Painting
Dimensions
Each: 144 × 286 cm (56 3/4 × 112 5/8 in.)
Culture
Japan
Museum
Art Institute of Chicago, Arts of Asia
Credit line
Kate S. Buckingham Endowment
Rights
Public domain (CC0), as the museum states it.
Who can see it
Little Ones profiles and older: it shows gentle subjects for the very young. How works are placed

View at the Art Institute of Chicago

About this work

Japanese aristocrats engaged in the elegant custom of recollecting classical poetry while viewing spring and autumn foliage. In these delicate screens, premier court painter Tosa Mitsuoki meditated on the inevitable passage of beauty by depicting the melancholy hours after the departure of reveling courtiers. A cherry tree bursts into bloom on the right screen, while its mate displays the brilliant red and gold foliage of maples in autumn. Slips of poetry, called tanzaku, waft from the blossoming limbs, the remaining evidence of a human presence. Courtiers (whose names are recorded in a seventeenth-century document) assisted Mitsuoki by inscribing the narrow strips with quotations of appropriate seasonal poetry from twelfth- and thirteenth-century anthologies. The screens were either commissioned by or given to Tofukumon’in (1607–1678), a daughter of the Tokugawa shogun who married the emperor Gomizunoo (1596–1680). In an era otherwise marked by increasing control of the feudal shogunate over imperial prerogatives, this royal couple encouraged a renaissance of courtly taste that nostalgically evoked the past glories of early-medieval aristocratic life.

Description © Art Institute of Chicago, CC BY 4.0