Listening to Divergent Histories through Canadian Music
American Folklife Center
Music
Clips are not offered for this film: the Library of Congress states its rights in its own words, not as a public licence, which leaves reuse unclear.
Parts
About
Canadian ethnomusicologist Beverley Diamond reflects on how her approaches to documenting culture have shifted over 50 years, echoing not only changes in the academic realm but changes in her relations with Indigenous and other culturally diverse communities. She suggests that her approach may align with differences between Canadian and American institutions more generally, given such factors as two official languages and multiple forms of both settler and Indigenous governance in Canada. Her work also illustrates changes in the field of ethnomusicology, more generally, from extractionist research to dialogic conversations with Indigenous and other communities.
Human-made No record of this work says a model made it. What this means.
- Archive
- Library of Congress, in Library of Congress: talks and concerts
- Licence or status
- Rights statement at the Library of Congress, as the Library of Congress states it.
- Credit
- Library of Congress
- Language
- English
- Country
- United States
- Who can watch
- The archive gives no rating. Invisible Network shows it to Tweens profiles and older, judged from its collection and subjects. How films are placed