Global Gypsy: Balkan Romani Music, Appropriation & Representation
American Folklife Center
Music
Clips are not offered for this film: the Library of Congress states its rights in its own words, not as a public licence, which leaves reuse unclear.
Parts
About
Carol Silverman discussed the phenomenon of Balkan "Gypsy" music. In the last 20 years, the music has exploded in popularity, becoming a staple at world music festivals and dance clubs throughout the U.S. and Western Europe. At the same time, thousands of Balkan Roma (the ethnic group frequently referred to as "Gypsies") have emigrated westward due to deteriorating living conditions, and entrenched stereotypes have arisen amidst deportations and harassment. In this heightened atmosphere of xenophobia, Roma, as Europe's largest minority and its quintessential "other," face the paradox that they are revered for their music yet reviled as people. Focusing on clubs and festivals, this illustrated ethnographic presentation investigates the ramifications of the current scene for Romani performers and non-Romani musicians, producers, audiences and marketers.
Human-made No record of this work says a model made it. What this means.
- Archive
- Library of Congress, in Library of Congress: talks and concerts
- Licence or status
- Rights statement at the Library of Congress, as the Library of Congress states it.
- Credit
- Library of Congress
- Language
- English
- Country
- United States
- Who can watch
- The archive gives no rating. Invisible Network shows it to Teens profiles and older, judged from its collection and subjects. How films are placed