Talk2010

The Rise of Printed Visuality: Printers and Page Design, 1467-1482

John W. Kluge Center (library Of Congress)

ScienceHistory

Clips are not offered for this film: the Library of Congress states its rights in its own words, not as a public licence, which leaves reuse unclear.

About

In an effort to differentiate their books from those produced by scribes and illuminators, several printers devised a bold, ink-rich mechanical style that circumvented the aesthetic standards of the manuscript page. The design choices of Ulrich Han in Rome, Gunther and Johann Zainer in Augsburg and Ulm, Johannes in Verona, Johann Muller (Regiomontanus) in Nuremberg, and Erhard Ratdolt in Venice proved particularly influential in defining the graphic vocabulary and aesthetic identity of the printed page. In addition to displacing manuscripts as the examples to be emulated, their books codified a visual grammar that effectively transformed the interaction between readers and the page. Considering publications printed between 1467 and 1482, Baldasso will engage some of these graphic choices, setting them within the context of their visual culture.

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Rights statement at the Library of Congress, as the Library of Congress states it.
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Library of Congress
Language
English
Country
United States
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