The New Centurions (1972)
Richard Fleischer
DramaCrime
Clips are not offered for this film: the US renewal records do not settle it.
Not offered: what its record states (its uploader's public-domain mark, or a licence not shown to be its rights holder's) leaves its US term to decide, and it is dated 1972; under US law a work of that year is free only on facts the site does not hold for it (its US renewal records, or its own country's term on 1 January 1996 for a work published abroad), and otherwise its US term runs to the end of 2067. Unclear is not offered. Open it at the Internet Archive.
Parts
About
The New Centurions (1972) is a crime drama film that explores the lives of Los Angeles police officers as they navigate the complexities and challenges of their demanding profession.The story primarily follows Officer Roy Fehler , played by George C. Scott , a seasoned cop who mentors younger officers, including Officer Chris Kline (played by John Wayne ) and Officer Eileen Haskins (played by Barbara Hershey ). The film portrays their day-to-day experiences on the job, highlighting the emotional toll, moral dilemmas, and dangers they face on the streets.As the film progresses, themes of violence, corruption, and the struggle between personal and professional lives are explored, particularly through the relationships and experiences of the main characters. Each officer deals with the harsh realities of police work, revealing the impact it has on their mental health and personal relationships.The film's narrative combines gritty realism with social commentary, offering a poignant look at the life of police officers during a tumultuous period in America.
Human-made No record of this work says a model made it. What this means.
- Archive
- Internet Archive, in More feature films
- Licence or status
- CC BY-NC-ND 4.0, as the Internet Archive states it.
- Credit
- Richard Fleischer
- Language
- English
- Who can watch
- The archive gives no rating. Invisible Network shows it to Teens profiles and older, judged from its collection and subjects. How films are placed