The Manster 1959: ★★ CC: Sci-Fi/Horror HD [1:12:57]
George P. Breakston
HorrorScience fiction
Clips are not offered for this film: the US renewal records do not settle it.
Parts
About
The Manster/The Two-Headed Killer is a 1959 American science-fiction horror film. Shot in Japan, it was produced by George P. Breakston and directed by Breakston and Kenneth G. Crane from a screenplay by Walter J. Sheldon. Sheldon's script was based on Breakston's story which he originally titled The Split. The film Starred Peter Dyneley as a foreign correspondent in Japan who is given an experimental drug which causes an eye and eventually, a second head to grow from his shoulder. Tetsu Nakamura played the mad scientist, Dr. Suzuki, and Terri Zimmern his assistant, Tara. Jane Hylton also starred as Dyneley's wife.
An American reporter in Japan is sent to interview an eccentric Japanese scientist working on bizarre experiments in his mountain laboratory. When the doctor realizes that the hapless correspondent is the perfect subject for his next experiment, he drugs the unfortunate man and injects him with a serum that gradually transforms him into a hideous, two-headed monster.
Directed by George P. Breakston, Kenneth G. Crane
Screenplay by Walter J. Sheldon
Story by George P. Breakston
Produced by George P. Breakston
Starring:
Peter Dyneley
Jane Hylton
Tetsu Nakamura
Terri Zimmern
Norman Van Hawley
- Archive
- Internet Archive, in More feature films
- Licence or status
- Public Domain Mark 1.0, as the Internet Archive states it.
- Rights statement
- https://creativecommons.org/publicdomain/zero/1.0/ THE MANSTER; Reg. PA0000327500. Type of Work: Recorded Document Document Number: V15007D945 Date of Recordation: 2022-06-21 Entire Copyright Document: V15007 D945 P1-153 Registration Number Not Verified: PA0000327500 Title: THE MANSTER; Feature Film Reg. PA0000327500.
- Credit
- George P. Breakston
- Language
- English
- Subtitles
- English
- Who can watch
- The archive gives no rating. Invisible Network shows it to Teens profiles and older, judged from its collection and subjects. How films are placed