JOJI - NECTAR (VHS Visualizer)
VHS Visualizers
Clips are not offered for this film: no licence or public-domain mark is recorded for it.
Parts
About
Media used is owned by Joji, 88 Rising & WMG. I did not ask for permission to use the media used in this video.
Tracklist: 00:00 - Ew 03:27 - MODUS 06:55 - Tick Tock 09:07 - Daylight (ft. Diplo) 11:53 - Upgrade 13:28 - Wake Up (Part 1) 14:12 - FTC (Bonus) 16:04 - Gimmie Love 19:49 - Run 23:06 - Wake Up (Part 2) 24:25 - Sanctuary 27:38 - High Hopes (ft. Omar Apollo) 30:40 - NITROUS 32:53 - Pretty Boy (ft. Lil Yachty) 35:30 - Normal People (fr. rei brown) 38:17 - Afterthought (ft. BENEE) 41:31 - Mr. Hollywood 44:54 - 777 47:56 - Reanimator (ft. Yves Tumor) 51:00 - Like You Do 55:00 - Your man (Intro) 53:23 - Your man 58:14 - Wake Up (Part 3) [The End]
I'd like to start of with my gratitude towards Joji. I have been a long time fan, and his work inspires me to create. Especially this particular video. I may do these VHS styled videos with In Tongues and Ballads 1, but I have some other plans for now.
I'm sorry for the compression on High Hopes. I'm unsure why it's so compressed but it's fine.
All audio was taken from u/some_random_old_guy's Joji archive with an acceptation for Wake Up and FTC. All videos taken from Vimeo, including a directors cut version of Gimmie Love.
Music Credits: Find here: https://en.wikipedia.org/wiki/Nectar_(Joji_album)#Track_listing
Video Credits: Tick Tock & Upgrade directed by James Defina Daylight directed by Munachi Osegbu, Joji & Diplo Gimmie Love directed by Andrew Donoho & Joji Run directed by Aisultan Seitov Sanctuary directed by Eoin Glaister Your Man directed by Jared Hogan
Human-made No record of this work says a model made it. What this means.
- Archive
- Internet Archive, in The VHS Vault
- Licence or status
- The Internet Archive states none for this item.
- Credit
- VHS Visualizers
- Language
- English
- Who can watch
- The archive gives no rating. Invisible Network shows it to Teens profiles and older, judged from its collection and subjects. How films are placed