Court to Court (October 2005)
Federal Judicial Center
Education
Clips are not offered for this film: a public-domain mark that nothing bears out (no year, or a year no US term has left).
Not offered: its uploader or archive marks it public domain, and nothing the site holds bears that out (its record gives no year, or a year from 1978 on, which no US term has left), so where it is free is not known. Unclear is not offered. Open it at the Internet Archive.
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About
Federal Judicial Center
Court to Court (October 2005) 4843-V/05, AVA21535VNB1, October 6, 2005
The standard approach to recognizing the contributions of retiring staff members is to host a retirement party, but one Clerk’s office wanted to provide its retired employees with a more permanent tribute. We examine the nature of that tribute as we visit the Bankruptcy Court (E.D. Mo.) for the dedication of its “Wall of Honor.” “A Moment In Court History” recounts the integration of the University of Mississippi in 1962 by James Meredith, accompanied by federal marshals and U.S. troops who were carrying out the orders of the Fifth Circuit Court of Appeals and the U.S. Supreme Court to end racial discrimination in university admissions.
Employment is a crucial factor in long-term success for offenders. The Probation Office (E.D. Mo.) has developed an award-winning program, designed to improve employment rates among offenders. In this segment, officers who developed the program explain why offenders need more than just “any job” to successfully maintain employment, and former offenders credit the program with helping them find jobs that made a difference in their lives.
Human-made No record of this work says a model made it. What this means.
- Archive
- Internet Archive, in FedFlix: US government films
- Licence or status
- Public domain (Creative Commons dedication), as the Internet Archive states it.
- Credit
- Federal Judicial Center
- Who can watch
- The archive gives no rating. Invisible Network shows it to Tweens profiles and older, judged from its collection and subjects. How films are placed