Yours

Educational1 h 8 min320×240

NORTHERN WONDERLANDS, 1936?

National Archives and Records Administration

Education

At the Internet Archive

Clips are not offered for this film: the US renewal records do not settle it.

Not offered: what its record states (its uploader's public-domain mark, or a licence not shown to be its rights holder's) leaves its US term to decide, and it is dated 1936; under US law a work of that year is free only on facts the site does not hold for it (its US renewal records, or its own country's term on 1 January 1996 for a work published abroad), and otherwise its US term runs to the end of 2031. Unclear is not offered. Open it at the Internet Archive.

About

National Archives and Records Administration - ARC Identifier 37466 / Local Identifier 131.2 - NORTHERN WONDERLANDS, 1936? - Office for Emergency Management. Office of Alien Property Custodian. (04/21/1942 - 10/14/1946). Reel 1, the ocean liner Reliance leaves New York harbor. Shows scenes of Reykjavik, Iceland; Jan Mayen Island; glaciers at Spitzbergen; Hammerfest, Norway; and the North Cape. Lapps herd reindeer. Reel 2 shows scenes of Trondheim, the fiords, glaciers, lakes, waterfalls, and the countryside of Norway. Reel 3 shows the harbors, street scenes, churches, and public buildings of Bergen. Oslo, Tallinn, and Leningrad. Reel 4 shows street scenes, parks, public buildings, churches, and the Kremlin in Moscow and the harbors and cities of Helsingfors and Stockholm. Reel 5 shows scenes of Stockholm, the medieval ruins of Visby, castles and scenes of Copenhagen, and Kronborg Castle in Elsinore. DVD copied by IASL Master Scanner Timothy Vollmer.

Human-made No record of this work says a model made it. What this means.

Archive
Internet Archive, in FedFlix: US government films
Licence or status
CC0 1.0, as the Internet Archive states it.
Credit
National Archives and Records Administration
Language
English
Who can watch
The archive gives no rating. Invisible Network shows it to Tweens profiles and older, judged from its collection and subjects. How films are placed