TV196129 min474×360Subtitles

The Big Picture #511: Army Digest #8

United States. Department of the Army

WarHistory

At the Internet Archive

Clips are not offered for this film: the US renewal records do not settle it.

Not offered: its uploader marks it public domain, and the US Copyright Office's records do not settle that it is (a record that may be another film's, a film first published abroad, a year when renewal was automatic, or a country they do not name). Unclear is not offered. Open it at the Internet Archive.

About

"The original release sheet reads: The "The Mathew Brady Story" brings to the television screen the work of the famed photographer who, during the Civil War, earned the title of "The First Combat Photographer." In this documentary, Brady's crisp visual account of the Civil War and its men is brought to life as music, sound, and movement team up with Brady's photographic skill to give THE BIG PICTURE audience an authentic sense of what it was like to live and fight through the years when our nation's unity hung in the balance. In the "Clara Barton Story," the personal chronicle of the woman who was instrumental in founding the Red Cross - the accounting, in her own words, of her part in a single day of the Battle of Antietam - is documented through scenes shot at the actual site of the battle, near Hagerstown, Maryland. Hagerstown residents ably portray Miss Barton and those with whom - and for whom - she worked, in the midst of that tragic day and night of fighting, adding visual drama to a narrative excerpted from words written by Clara Barton herself." National Archives Identifier: 2569749

Human-made No record of this work says a model made it. What this means.

Archive
Internet Archive, in Classic TV
Licence or status
Public Domain Mark 1.0, as the Internet Archive states it.
Credit
United States. Department of the Army
Language
English
Subtitles
English
Who can watch
The archive gives no rating. Invisible Network shows it to Teens profiles and older, judged from its collection and subjects. How films are placed