MUSICOM PRODUCTIONS SAMPLER 2012 - originalmusicstudio.com
Conrad deVroeg
MusicIndustrial and advertising
Clips are not offered for this film: an uploader's Creative Commons licence on a work its record dates by its upload, whose own description dates it before such licences existed.
Not offered: its uploader states a Creative Commons licence or CC0, but its record is dated the year it was uploaded to the Internet Archive or later, and its own description dates the work earlier, before the licences were first published (2002), so that the licence is its rights holder's is not shown; and nothing else the site holds shows where it is free. Unclear is not offered. Open it at the Internet Archive.
Parts
About
This is the 2012 Music Sampler of favorite original music produced by MUSICOM PRODUCTIONS - originalmusicstudio.com, and animated and produced by www.avidvideoeditor.com.
This collection includes the following musical scores:
1). 0:02 - MUSICOM PRODUCTIONS (1989) - ID Theme 2). 0:09 - DODGE (Underscore) (1992) - "Neon Theme #2" 3). 0:28 - "Brash Cash" (2007) - Original Soundtrack Series 4). 2:33 - "Horny Hob" (2006) - Original Soundtrack Series 5). 3:57 - "Sad Violin (Theme)" (1995) - Original Soundtrack Series 6). 6:10 - SEAMAN'S FURNITURE (Jingle) (1994) - "A Beautiful Home" 7). 7:13 - IKEA (Underscore) (1991) - "The Book Show" 8). 7:57 - SPORTSCHANNEL AMERICA (Theme) (1993) - "Sports Theme 4" 9). 8:09 - PONTIAC (Underscore) (1992) - "Japanese Influence" (*) TELLY AWARD 10). 8:39 - GNC (Underscore) (1994) - "Ultra Mega II" (*) TELLY AWARD 11). 9:10 - "Diddle It" (1995) - Original Soundtrack Series 12). 9:26 - AVIDVIDEOEDITOR.COM (2003) - ID Theme
Human-made No record of this work says a model made it. What this means.
- Archive
- Internet Archive, in Vintage commercials
- Licence or status
- CC BY-NC-ND 3.0, as the Internet Archive states it.
- Credit
- Conrad deVroeg
- Language
- English
- Who can watch
- The archive gives no rating. Invisible Network shows it to Tweens profiles and older, judged from its collection and subjects. How films are placed