Spirits of the Jaguar: Hunters of the Caribbean Sea
George Page, Mark. Jacobs, British Broadcasting Corporation., WNET (Television station : New York, N.Y.)
NatureHistory
Clips are not offered for this film: no licence or public-domain mark is recorded for it.
Parts
About
4 videocassettes (approximately 60 min. each) : 1/2 in (3rd videocassette)
Using wildlife footage, dramatic recreations and computer simulation, this four-part series explores the great civilizations of the Aztecs, the Maya and the Taino, which dominated the Caribbean and Central America for centuries before disappearing totally
Not rated.
VHS
Narrator/host: George Page
Producer, Mark Jacobs; cinematographers, Mike Lemmon, Andrew Anderson, John Harris, Rod Clarke, Simon Carroll, Jeremy Humphries, Gavin Thurston; music, Martin Fridel
Broadcast in the USA as part of the series: Nature
Supplemented by: Spirits of the Jaguar / Paul Reddish
episode 1. The forging of a new world -- episode 2. Forests of the Maya -- episode 3. Hunters of the Caribbean sea -- episode 4. The fifth world of the Aztecs
The Taino people came from South America, where they had been hunters and farmers. Some 2,000 years ago, they paddled out into the sea in dugout canoes and discovered the small mountainous islands of the Caribbean, far different from the jungles they left behind. With little food to be found on land, they hunted the sea for manatees and tuna, conch and sea snails. Isolated from enemies, they became peaceful and spiritual people. The first to greet Columbus, they stood no chance against slavery, torture, and disease.
Human-made No record of this work says a model made it. What this means.
- Archive
- Internet Archive, in The VHS Vault
- Licence or status
- The Internet Archive states none for this item.
- Credit
- George Page, Mark. Jacobs, British Broadcasting Corporation., WNET (Television station : New York, N.Y.)
- Language
- English
- Who can watch
- The archive gives no rating. Invisible Network shows it to Tweens profiles and older, judged from its collection and subjects. How films are placed