[VHS RAW] Dinosaur War Aizenborg Arabic dub (1981)

About

Beware the Dinosaurs! The catastrophic mission can only be handled by none other than the mighty IZENBORG (Not counting Grendizer, Astroganger, Mazinger Z and other mechas 80s Arab kids kept fighting over which one was stronger kinda like kids today with their Goku VS. Garfield bickering).

Watch a tale of immense Kaijus destined to perish by the noble Tokusatsu superheros for the greater good of humanity, Tachibana Ai (Saleem) and her brother Tachibana Zen (Kamal), with the company of Ippeo Kurosawa (Dahham) and Goro Kamihara (Hammam) and the guidance of Doctor Torii (Doctor Harfaan), join forces as the D-Sentai team where UNITY IS POWER!!!

Now presented here in it's iconic 1980s Arabic dub done by the cherished GCC Joint Program Institution who are best known for their phenomenal work in dubbing Future Boy Conan in 1981 and maintaining anime's perplexing dominance over US animation right when just a handful of sub-titled Saturday Morning Cartoons began slipping through Arabian television, (It's worth pointing out however that what truly is their greatest acheivement that became THE cultural-defining touchstone of Arabic-Television/Pop-culture as we know it is none other their version of Sesame Street known as Iftah Ya Semsem. It's reach was so strong that it outlived even the company's name itself!)

Izenborg fan would've never saw the bewildering return/documentary of their favorite show in 2017 if it weren't for it's equally bewildering success in the Middle East where it never left the minds of the Saudi Royalties responsible for commissioning it's return in documentary-form ever since their childhood.

UNITY IS POWER!!!

Archive

Internet Archive, in The VHS Vault

Licence or status

The Internet Archive states none for this item.

Credit

Tsuburaya Productions, GCC Joint Program Production Institution,

Language

Arabic

Who can watch

The archive gives no rating. Invisible Network shows it to Teens profiles and older, judged from its collection and subjects. How films are placed