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Home Movie: Koura Collection: 006113

Koura Family

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Clips are not offered for this film: no licence or public-domain mark is recorded for it.

About

The Japanese American Koura family explores the Pacific Northwest, including ferry rides, visits to scenic overlooks, and time spent swimming at Olympic Hot Springs Resort in Olympic National Park. Also includes a strawberry harvest with images of workers of various ethnicities (including Indigenous people from Canada and Washington state, as well as possibly people of Filipino heritage) gathering berries, and a clothing drive for exchanging used clothes.

The footage at the end is possibly from a different family, and shows a teenage girl playing with a puppy and a tiny skateboard in a driveway.

can notes: "Middaugh (A) 1-3/ pre-berry harvest 1955 / play lead berry harvest"

Human-made No record of this work says a model made it. What this means.

Archive
Internet Archive, in Prelinger Archives
Licence or status
The Internet Archive states none for this item.
Rights statement
Rights are owned by the Koura Family and the Center of Asian American Media (CAAM). Copyright Holder has given Institution permission to provide access to the digitized work online. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Contact information: The Center for Asian American Media (CAAM), memoriestolight@caamedia.org. CAAM main office: (415) 863-0814. Website: https://caamedia.org/memories-to-light/
Credit
Koura Family
Who can watch
The archive gives no rating. Invisible Network shows it to Tweens profiles and older, judged from its collection and subjects. How films are placed