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Home Movie: Koura Collection: 005389

Koura Family

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Clips are not offered for this film: no licence or public-domain mark is recorded for it.

About

Cinematic study of summer days of picking, harvesting, and assembling a strawberry harvest on the Japanese-American-owned Koura farm with long attention to the work and workers toiling in the fields and with peripheral attention to the activities of children and visitors and the surrounding Pacific Northwest landscape. One highlight of this reel is a long section that is double exposed, introducing an element of visual poetry to the document.

Includes images of Indigenous people from Canada and Washington state who came each year as seasonal workers for the berry harvest, as well as possibly workers of Filipino heritage and other ethnicities.

can notes: 2 1953 Berry Harvest

paper note in can: 1953 3C 22 min

note on reel: Lucy O. 2

Human-made No record of this work says a model made it. What this means.

Archive
Internet Archive, in Prelinger Archives
Licence or status
The Internet Archive states none for this item.
Rights statement
Rights are owned by the Koura Family and the Center of Asian American Media (CAAM). Copyright Holder has given Institution permission to provide access to the digitized work online. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Contact information: The Center for Asian American Media (CAAM), memoriestolight@caamedia.org. CAAM main office: (415) 863-0814. Website: https://caamedia.org/memories-to-light/
Credit
Koura Family
Who can watch
The archive gives no rating. Invisible Network shows it to Tweens profiles and older, judged from its collection and subjects. How films are placed