Charade: transcript

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Charade: transcript

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Chapters

0:00 Opening titles
3:09 Megève
7:44 An empty apartment
15:23 The funeral
18:28 Mr. Bartholomew of the CIA
25:18 Punch and Judy
27:06 The Black Sheep Club
34:04 A claw in the dark
35:46 Peter and the three
42:21 The story of the gold
49:32 Carson Dyle's brother
51:35 On the roof
56:30 A truthful Whitefoot
1:01:17 They've got Jean-Louis
1:08:13 Grandpierre's nose
1:11:19 Drip-dry
1:14:04 Carson Dyle had no brother
1:19:59 A death in the lift
1:22:59 Charles's airline bag
1:25:59 The stamp market
1:32:12 The stamps
1:36:04 A chase through Paris
1:43:06 The Palais Royal
1:49:34 Mr. Cruikshank

0:00 Opening titles

Nothing is said in this chapter.

3:09 Megève

3:50 Oh, la!

3:51 Don't tell me: Ya didn't know it was loaded.

3:56 - Sylvie! - Oh.

3:59 Can't he do something constructive, like start an avalanche or something?

4:03 Vas jouer, mon chéri.

4:07 When you start to eat like this, something is the matter.

4:13 Sylvie, I'm getting a divorce.

4:15 - What? From Charles? - He's the only husband I have.

4:19 - I've tried to make it work, really I have, but... - But what?

4:24 Oh, I can't explain. I'm too miserable to go on any longer like this.

4:30 It is infuriating that your unhappiness does not turn to fat.

4:36 But I don't understand. Why do you want a divorce?

4:40 Because I don't love him. And he obviously doesn't love me.

4:43 That's no reason to get a divorce.

4:45 With a rich husband and this year's clothes,

4:48 you won't find it difficult to make some new friends.

4:50 I admit I came to Paris to escape American provincial,

4:53 but that doesn't mean I'm ready for French traditional.

4:56 I loathe the whole idea of divorce, Sylvie.

4:59 But if only Charles had been honest with me.

5:01 That's all I ask of anybody: The simple truth.

5:03 But with Charles, everything is secrecy and lies.

5:10 He's hiding something from me, Sylvie...

5:12 something terrible... and it frightens me.

5:16 Does he belong to you?

5:18 It's hers. Where'd you find him? Robbing a bank?

5:20 He was throwing snowballs at Baron Rothschild.

5:23 - Oh, thank you. - Do we know each other?

5:26 - Do you think we're going to? - I don't know. How would I know?

5:29 Because I already know an awful lot of people.

5:32 Until one of them dies I couldn't possibly meet anyone else.

5:35 Hmm. Well, if anyone goes on the critical list let me know.

5:39 - Quitter. - Beg pardon?

5:41 You give up awfully easily, don't you?

5:44 Jean-Louis, let us walk. I've never seen a Rothschild before.

5:54 Clever fellow. Almost missed me.

5:57 Thank you.

5:59 - You're blocking my view. - Oh.

6:04 - Which view would you prefer? - The one you're blocking.

6:06 It's my last chance. I'm flying back to Paris this afternoon.

6:10 - What's your name? - Peter Joshua.

6:12 - Mine's Regina Lampert. - Is there a Mr. Lampert?

6:15 - Yes. - Good for you.

6:16 No. I'm getting a divorce.

6:18 - Please, not on my account. - No. I don't really love him.

6:21 - At least you're honest. - Hmm. Is there a Mrs. Joshua?

6:25 Yes, but we're divorced.

6:27 That wasn't a proposal. I'm just curious.

6:30 Is your husband with you?

6:32 Oh, no, Charles is never with me. What do people call you? Pete?

6:35 Mr. Joshua.

6:37 - I've enjoyed talking with you. - Now you're angry.

6:41 No, I'm not angry, I just have a lot of packing to do. I'm going back to Paris too.

6:44 Wasn't it Shakespeare who said when strangers do meet in far-off lands...

6:47 they should ere long see each other again?

6:49 - Shakespeare never said that. - How do you know?

6:52 It's terrible. You just made it up.

6:54 Well, it sounds right. You going to call me?

6:56 - Are you in the book? - Charles is.

6:59 - Is there only one Charles Lampert? - Mmm.

7:02 Lord, I hope so.

7:17 Good-bye, Sylvie, and thanks.

7:19 When you get your divorce are you going back to America?

7:22 - Don't you want me to stay? - Of course, but if you went back and wrote me a letter...

7:26 You could have the stamps. I'll get you some here, okay?

7:29 - Okay. - Good-bye.

7:41 Merci.

7:44 An empty apartment

7:57 Honorine?

8:03 Honorine!

8:47 Aaaah!

8:49 - Madame Charles Lampert? - Yes.

8:52 I'm Inspector Edouard Grandpierre of the police judiciaire.

8:56 Would you be so kind as to come with me, please?

9:21 Well, madame?

9:26 You are positive?

9:29 You loved him?

9:33 I'm very cold.

9:47 We discovered your husband's body...

9:50 lying next to the tracks of the Paris-Bordeaux railroad line.

9:54 He was dressed only in his pyjamas.

9:56 Do you know any reason he might have wanted to leave France?

10:01 Leave? No.

10:04 Your husband possessed a ticket of passage on the Maranguape.

10:08 It sailed for Venezuela this morning at 7:00.

10:12 I'm very confused.

10:14 - He was American, your husband? - Swiss.

10:17 Ah, Swiss. His profession?

10:20 - He didn't have one. - He was a wealthy man?

10:23 I suppose so. I don't know.

10:25 - About how wealthy, would you say? - I don't know.

10:28 Where did he keep his money?

10:31 I don't know.

10:33 Besides yourself, who is his nearest relative?

10:36 I don't know.

10:38 That's absurd, madame! Totalement absurde.

10:41 I know. I'm sorry.

10:43 - It is all right? - I wish you wouldn't.

10:52 - Les effets Lampert. - D'accord.

10:55 On Wednesday last your husband sold the entire contents of the apartment at public auction.

11:00 Everything.

11:02 The gallery paid him 1,250,000 new francs...

11:05 in dollars, a quarter of a million.

11:08 The authorities in Bordeaux searched his compartment on the train.

11:12 They searched it thoroughly.

11:14 They did not find $250000.

11:20 These few things are all that was found in the train compartment.

11:24 There was no other baggage. Your husband must have been in a great hurry.

11:28 One wallet containing 4,000 francs.

11:33 One agenda. His last notation was made yesterday, Thursday...

11:37 5:00 p.m., Jardins des Champs-Élysées.

11:39 - Why there? - I don't know.

11:42 - Perhaps he met somebody. - Obviously.

11:46 One ticket of passage to South America.

11:49 One letter, stamped but unsealed, addressed to you.

11:55 May I see it, please?

12:00 "My dear Regina, I hope you are enjoying your holiday.

12:03 Megève can be so lovely at this time of year.

12:05 The days pass very slowly and I hope to see you soon.

12:08 As always, Charles.

12:10 P.S. Your dentist called yesterday. Your appointment has been changed."

12:14 Not much, is it?

12:16 We took the liberty of calling your dentist.

12:19 We thought perhaps we would learn something.

12:21 - Did you? - Yes.

12:23 Your appointment has been changed.

12:33 One key to your apartment.

12:36 One comb.

12:39 One fountain pen.

12:41 One toothbrush.

12:43 One tin of tooth powder. That is all.

12:49 If you will sign this list, you may take the things with you.

12:54 Is that all? May I leave now?

12:56 One more question.

12:59 Is this your husband's passport?

13:03 Yes.

13:06 And this?

13:09 I don't understand.

13:12 And this?

13:19 And this?

13:52 Oh, I telephoned but nobody answered.

13:55 - Hello. - Hello.

13:58 I wanted to tell you how sorry I am and see if there's anything I can do.

14:03 How did you find out?

14:05 It's in the afternoon papers.

14:07 - I'm very sorry. - Thank you.

14:11 I pressed the bell but it isn't ringing, I guess.

14:14 I know. There's no electricity.

14:19 Well, where did everything go?

14:21 Charles sold it all at auction. This is all I have left.

14:26 I love this room, but Charles never really saw it... only the things in it.

14:32 I think I prefer it this way.

14:35 What are you going to do?

14:37 Try and get my job back at EURESCO, I suppose.

14:40 - Doing what? - I'm a simultaneous translator, like Sylvie.

14:44 Only she's English into French and I'm French into English.

14:47 That's what I was doing before I married Charles.

14:50 The police probably think I killed him.

14:53 "Instant divorce," you mean?

14:55 Something like that.

14:58 It's terrible to end it this way, though...

15:01 tossed off a train like a sack of third class mail.

15:05 - Well, come on. You can't stay here. - I don't know where to go.

15:08 We'll find you a hotel.

15:12 Nothing too expensive.

15:14 I'm not a lady of leisure anymore, you know.

15:16 Something clean and modest and near enough to EURESCO...

15:19 so you can take a cab when it rains.

15:21 - Okay? - Okay.

15:23 The funeral

15:41 Not a very large turnout, is it?

15:44 Didn't Charles have any friends?

15:47 Don't ask me. I'm only the widow.

15:50 If Charles had died in bed, we wouldn't even have him.

15:57 At least he knows how to behave at funerals.

16:07 Have you no idea who could have done it?

16:10 Until two days ago the only thing I really knew about Charles was his name.

16:14 Now it seems I didn't even know that.

16:36 - He must have known Charles pretty well. - How can you tell?

16:40 He's allergic to him.

16:47 Bless you.

16:49 - Do you know him? - Never seen him before.

17:31 "Arrivederci," Charlie.

17:39 Miz Lampert, ma'am...

17:42 Uh, Miz Lampert, ma'am,

17:46 Charlie had no call of doin' it that-a-way.

17:48 No siree.

18:28 Mr. Bartholomew of the CIA

18:28 What next?

18:35 Mi pardon, madame.

18:37 - Merci. - Pardon. Pardon.

18:42 Pardon. Pardon.

18:46 - Who's it from? - The American Embassy.

19:01 I bluffed the old man out of the last pot with a pair of deuces.

19:05 What's so depressing about that?

19:07 Well, if I can do it, what are the Russians doing to him?

19:20 Hello?

19:22 Hello?

19:25 Is there anything wrong, Miss Tompkins?

19:28 Uh, Miss Tompkins isn't here.

19:32 Oh, I'm sorry. My secretary must have gone to lunch.

19:37 - Uh, you are... - Mrs. Lampert, Mrs. Charles Lampert.

19:40 Oh, yes. Please, uh, come in, Mrs. Lampert.

19:47 Excuse me for a moment, Mrs. Lampert.

19:50 It's a stubborn little devil.

19:54 Dry cleaning-wise, things are all fouled up.

19:57 I had a good man, a really excellent man on the Rue Ponthieu,

20:02 but H.Q. asked us to use the plant here in the building...

20:05 to ease the gold outflow.

20:08 Mr. Bartholomew, are you quite sure you know who I am?

20:10 You're Charles Lampert's widow, yes?

20:14 I'm very sorry.

20:17 Last time I sent out a tie, only the spot came back.

20:21 Voilà, as they say.

20:24 Won't you sit down, Mrs. Lampert?

20:28 I've got something here.

20:32 I've got liverwurst, liverwurst, chicken and liverwurst.

20:36 No, thank you.

20:38 Mrs. Lampert, do you know what C.I.A. is?

20:41 I don't suppose it's an airline, is it?

20:45 Central Intelligence Agency. C.I.A.

20:49 You mean spies and all of that?

20:51 - Only we call them agents. - "We"? You mean you...

20:54 Someone has to do it, Mrs. Lampert.

20:56 I didn't think people like you were supposed to admit...

20:59 Oh, I'm not an agent. I'm an administrator, a desk jockey...

21:05 trying to run a bureau of overworked men with underallocated...

21:10 - Funds.

21:12 Congress seems to think that all a spy needs...

21:14 - Agent. - Yes.

21:18 That all he needs is a code book, a cyanide pill and he's in business.

21:24 What's all this got to do with me, Mr. Bartholomew?

21:27 Your husband was wanted by the United States government.

21:33 May I have a sandwich, please?

21:35 - Chicken or liverwurst? - Chicken.

21:38 To be more specific, your husband was wanted by this agency.

21:44 - So that was it. - Yes.

21:46 We, of course, knew him by his real name...

21:48 Voss. Charles Voss.

21:54 All right, Mrs. Voss.

21:56 I'd like you to look at this photograph here for a moment, please.

22:01 Tell us if you recogni... Oh.

22:04 By the way, have you seen this one?

22:06 Scott, Cathy and Ham Jr.

22:10 - Very sweet. - Aren't they?

22:12 - All right, Mrs. Voss... - Please stop calling me that.

22:15 - Lampert's the name on the marriage license. - I'm terribly sorry.

22:19 Mrs. Lampert, would you look at that and tell me if you recognize anyone, please?

22:24 Just a moment. Have a good look.

22:29 - It's Charles. - Very good.

22:32 He looks so young. When was this taken?

22:34 1944. Next, please.

22:37 The man who was at the funeral yesterday.

22:41 A tall man in a corduroy suit.

22:43 Does the name Tex Penthollow mean anything to you?

22:46 No.

22:48 - You like some wine? - No, thank you.

22:50 Next, please.

22:52 He was there too. A little less hair, but it's the same one.

22:56 Do you know him, Mrs. Lampert? Leopold W. Gideon?

22:59 - No. - The last one, please.

23:02 That's a face you don't forget.

23:05 - He was there too. - Herman Scobie.

23:08 - You've never seen him before either? - No, thank heaven.

23:13 Mrs. Lampert, I'm very much afraid you are in a great deal of danger.

23:18 Why should I be in any danger?

23:20 You're Charles Voss' wife.

23:23 Now that he's dead you're their only lead.

23:25 Mr. Bartholomew, if you're trying to frighten me...

23:29 you're doing a first-rate job.

23:31 Please do what we ask, Mrs. Lampert. It's your only chance.

23:34 Gladly. But I don't know what you want. You haven't told me.

23:38 Oh? I haven't?

23:42 Well, it's the money, Mrs. Lampert, the money.

23:45 The $250,000 Charles Voss received from the auction.

23:49 Those three men want it too. They want it very badly.

23:52 But that's Charles' money, not theirs.

23:55 Oh, Mrs. Lampert, I'd love to see you try and convince them of that.

23:58 - Oh, boy. - But then whose is it? His or theirs?

24:03 Ours.

24:05 Oh.

24:07 Charles Voss stole $250,000 from the United States government.

24:11 - I'm afraid we want it back. - But I don't have it.

24:16 That's impossible, Mrs. Lampert.

24:19 You're the only one who could have it.

24:21 Mr. Bartholomew, if I had a quarter of a million dollars,

24:24 believe me, I'd know it.

24:26 Nevertheless, Mrs. Lampert, you've got it.

24:29 You mean it's just lying around somewhere, all that cash?

24:32 Or a certified check, safe deposit key, baggage claim.

24:38 - You look for it, Mrs. Lampert. I'm quite sure you'll find it. - But...

24:40 Look for it. Look just as hard and as fast as you can.

24:44 You may not have a great deal of time.

24:47 Those three men know you've got the money just as surely as we do.

24:51 You won't be safe until the money's in our hands.

24:53 Is that clear?

24:55 Here's where you're to call me, day or night.

24:59 It's a direct line to both my office...

25:02 And my apartment.

25:04 And please don't tell anyone about coming to see us today.

25:06 It could prove fatal for them as well as yourself.

25:09 As I said, Mrs. Lampert, I'm afraid you're in a great deal of danger.

25:12 I regret very much having to say this, but...

25:16 please remember what happened to your husband.

25:18 Punch and Judy

25:33 - Hello. - Hello, Peter.

25:36 Didn't you telephone me to meet you on that corner over there?

25:40 I'm sorry. I heard the children laughing.

25:44 - Do you understand French? - Not a word.

25:48 I'm still having trouble with English.

25:50 The man and the woman are married.

25:53 Oh, I can see that. They're batting each other over the head.

25:56 Ay, ay, ay!

25:58 - Ooh, la, la, la! Qu'est-ce qu'il se passe?

26:02 - Who's that with the hat? - That's the policeman.

26:05 He wants to arrest Judy for killing Punch.

26:10 - What's she saying now? - That she's innocent.

26:14 She didn't do it.

26:17 - Oh, she did it, all right. - I believe her.

26:22 - Well, who was that? - That's Punch, of course.

26:25 "Punch, of course"? I thought he was dead.

26:28 He's only pretending, to teach her a lesson.

26:33 Only he is dead, Peter. I saw him. He's not pretending.

26:37 Somebody threw him off a train.

26:40 Charles was mixed up in something terrible. What am I going to do?

26:44 I wish you'd let me help you.

26:46 It doesn't sound like the sort of thing a young woman can handle by herself.

26:53 How 'bout making me vice president in charge of cheering you up?

26:58 Starting tonight?

27:06 Bonsoir, messieurs, dames, good evening, ladies and gentlemen, buona sera, signore e signori.

27:06 The Black Sheep Club

27:11 Ce soir, comme tous les autres soirs d'ailleurs, vous savez bien...

27:15 qui ici au Black Sheep Club, l'attraction, c'est vous!

27:19 - Alors, approchez-vous, messieurs, dames,

27:23 venez ici, step right up, ladies and gentlemen,

27:25 - What's going on? - Fun and games.

27:28 - Evidently we're the floor show. Come on. - You and me?

27:31 Everyone.

27:34 Avanti, avanti, signore e signori.

27:36 Ecoutez-moi bien.

27:38 Ah, ècoutez-moi. Alors, il y a deux èquipes.

27:41 There are two teams, et pour chaque èquipe, il y a une orange.

27:44 For every team there is one orange. Una aranja.

27:48 Vous mettez l'orange sur le menton comme sa...

27:52 put the orange in like so.

27:53 Vous passez l'orange a la personne derrière vous...

27:55 You pass the orange to the person behind you,

27:57 mais sans utilisez les mains.

27:59 Without the use of your hands. Are you ready?

28:02 Uno, due, tre...

29:43 - Mrs. Lampert, - Who are you?

29:45 - Didn't Charles tell you, Mrs. Lampert? - Tell me what?

29:48 It doesn't belong to you. You do know that, don't you?

29:51 - I don't know anyth... - Mrs. Lampert!

29:54 Any morning now you could wake up dead, Mrs. Lampert.

29:58 - Leave me alone! - Dead, Mrs. Lampert. Like Charles, Mrs. Lampert.

30:02 Stop it!

30:06 - What's the trouble? - He stepped on my foot.

30:09 - Forgive me. - Wait here. I won't be long.

30:11 It was quite unintentional, I'm sure.

30:33 Mr. Bartholomew, this is Regina Lampert.

30:35 I just saw one of those m... Mr. Bartholomew, can you hear me?

30:42 Mr. Bartholomew, this is Regina Lampert. I just...

30:51 - Howdy. - What do you want?

30:53 - You must be kiddin'. - No, I'm not.

30:57 Come on now, Miz Lampert.

30:59 You know what it is, and you're gonna get it for me too.

31:02 'Cause you know I ain't foolin' around here.

31:10 No siree Bob.

31:14 - Stop that, please! - Now, don't make too much noise, Miz Lampert.

31:18 It could get a whole lot worse, you know.

31:23 - It belongs to me, Miz Lampert, and you're gonna get it for me,

31:27 Or your life ain't gonna be worth the paper it's printed on.

31:31 - You understand what I'm sayin' to you? - Stop! Please stop!

31:35 - You go home and think it over real careful like, you hear? - You're absolutely insane!

31:45 - Aaaaah!

31:49 - What's the matter?

31:51 What are you doing in here?

31:55 I'm having a nervous breakdown.

32:09 Now hold it. I've waited long enough. What happened back there?

32:13 I'm not sure if I'm supposed to tell you or not.

32:16 - What does that mean? - He said if I told anybody...

32:19 it could prove fatal for them as well as me.

32:22 - Who said? - That's what I'm not supposed to say.

32:25 Eh...

32:28 - Now stop that nonsense. - Stop bullying me.

32:30 - Everybody's bullying me. - I'm not bullying you.

32:33 Yes, you were. You said it was nonsense.

32:35 Being murdered in cold blood is not nonsense.

32:39 Why don't you try it sometime?

32:43 - Would you mind seeing me to the door? - Of course not.

32:48 It's a good place for making friends.

32:53 You said this afternoon your husband was mixed up in something.

32:57 How do you shave in there?

32:59 What was it?

33:01 - What was what? - What your husband was mixed up in.

33:05 Look, I know it's asking you to stretch your imagination, but don't you think...

33:08 you could pretend just for a moment that I'm a woman?

33:10 I could already be arrested for transporting a minor above the first floor.

33:17 - Here you are. - Where?

33:19 - On the street where you live. - How about once more around the park?

33:23 How about getting out of here? Come on, child. Out.

33:28 - Won't you come in for a minute? - No, I won't.

33:32 I don't bite, you know, unless it's called for.

33:36 - How would you like a spanking? - How'd you like a punch in the nose?

33:40 - Stop treating me like a child. - Well, then stop behaving like one.

33:45 If you want to tell me what's troubling you, fine.

33:48 If not, I'm tired, it's late and I want to go home to bed.

33:51 Oh...

33:53 Do you know what's wrong with you?

33:56 No. What?

33:58 Nothing.

34:04 A claw in the dark

34:09 Aaaah!

34:11 Where is it, lady?

34:13 I don't know.

34:23 I want it.

34:26 You give it to me.

34:28 - It's mine! - Aaaaah!

34:34 Peter! Peter!

34:36 - A man tried to kill me! - What?

35:02 Peter?

35:05 Peter?

35:08 Peter, are you all right?

35:11 - Oh, Peter. Are you hurt?

35:14 Mm-hmm. I sprained my pride.

35:17 How are you?

35:19 - Scared. - You'll be all right.

35:22 - Where did he go? - Out the window, I guess.

35:25 Lock the door, and don't let anyone in except me.

35:29 - And close these windows after me. - Be careful.

35:32 You took the words right out of my mouth.

35:46 Peter and the three

35:59 Alistair!

36:00 - What is it now, Pamela? - It happened again!

36:04 Another strange man peered in the window at me but then went away.

36:09 Bad luck, Pamela.

36:31 - That was a dumb move, Herman. - Oh, man. And then some.

36:35 If you'd let us know you was goin' to her room...

36:37 we could have done somethin' to keep him busy.

36:39 But sneakin' up that-a-way by yourself.

36:42 What did you expect him to do?

36:45 Walk up and shake you by that hand of yours?

36:48 Dumb move, Herman.

36:50 Yes, it was a dumb move, Herman. What is the matter with you?

36:54 - You want some more? - Never mind that. Did you get the money?

36:58 How could I with the three Marx Brothers breathing down my neck?

37:02 I thought we had an agreement.

37:06 Now, the girl trusts me.

37:08 If she's got the money I'll find out about it. But you just leave me alone.

37:12 We took all the chances. The money belongs to us, not to him.

37:17 Now, don't be piggy, Herman.

37:20 A third of nothing is nothing. Just think about that.

37:24 But make up your mind. She's waiting for me.

37:28 I don't see how another 24 hours could hurt anything.

37:31 Not after all these years.

37:33 Then he gets it out of your share.

37:37 Not mine.

37:41 Not mine!

37:44 - Either one of you got the room next to her?

37:48 - Yeah, I have. Why? - Get another room. I want to use it.

37:52 Hmm.

38:00 If you do find that money,

38:03 you ain't gonna forget to tell your buddies about it, are you?

38:06 - Don't worry. - Oh, I ain't worryin'.

38:10 You see this little fella here?

38:13 Oh, he worries.

38:16 And he's even meaner than I am.

38:40 - Who is it? - It's me, Peter.

39:01 There was no trace of him.

39:05 Why don't you confide in me and tell me what this is all about?

39:10 There are three men. He's one of them.

39:13 They think I have a quarter of a million dollars that belongs to them.

39:19 - Go on. - That's all.

39:22 - No, it isn't. Where's the money? - I don't know!

39:25 They killed Charles to get it,

39:27 but he must not have had it with him on the train.

39:30 - So they think he left it with you. - But he didn't.

39:33 I've looked everywhere, and if I don't find it they're going to kill me.

39:38 No, they won't. I won't let them.

39:41 Peter, help me. You're the only one I can trust.

39:45 I'll help you.

39:48 I told you I would. Come on.

39:51 Oh, I'm so hungry I could faint.

39:54 And I've gotten your suit all wet.

39:56 - That's all right. It's a drip-dry.

40:00 - Wipe your eyes.

40:04 Promise me you'll never lie to me the way Charles did.

40:07 Why do people have to tell lies?

40:10 Usually because they want something. They're afraid the truth won't get it.

40:15 - Do you tell lies?

40:26 - Hello? - Mrs. Lampert, it's me,

40:29 the man who was in your room a few minutes ago.

40:33 - What do you want? - Who is it?

40:36 It's the man you had the fight with.

40:38 - Is Dyle with you? - Who?

40:41 The man I had the fight with, lady. Dyle. That's his name.

40:46 What's wrong? Is he still there?

40:52 - Yes, that's right. - What's he saying?

40:57 Don't trust him. Don't tell him anything.

41:02 He's after the money.

41:12 What was all that about?

41:15 He...

41:17 - He said if I don't give him the money he'll kill me. - Oh, don't take it seriously.

41:23 He's just trying to frighten you.

41:26 - I believe what he said. - No, no. It's just a lot of words.

41:29 Words can hurt.

41:31 I know.

41:33 Try to get some sleep. You'll feel better.

41:36 Don't worry. I've arranged to take the room next door to you.

41:43 So you'll be all right.

41:45 If you want anything, just bang on the wall.

41:48 Better lock the door after me.

41:50 Good night.

42:21 The story of the gold

42:22 I am calm, Mr. Bartholomew.

42:24 What I'm trying to say is that there's someone else.

42:27 - What? - Someone who wasn't in that photograph today.

42:30 He says his name is Peter Joshua, but it isn't. It's Dyle.

42:35 - Are you still there, Mr. Bartholomew? - Yes, yes, Mrs. Lampert.

42:40 I don't know who this Mr. Dyle is,

42:42 but it's possible we were wrong about who killed your husband.

42:45 You mean... he might have?

42:50 Mr. Bartholomew, I'm catching the next plane out of here.

42:52 I'm not going to sit around for somebody to make chopped liver out of me.

42:55 Now, take it easy, Mrs. Lampert. Take it easy.

42:58 Where are you now? Can you meet me at the market?

43:01 - At Les Halles? - Yes. Opposite St. Eustace.

43:04 - I'll meet you there in 15 minutes. - All right, I'll be there.

43:55 Allez vite, n'importe ou. N'importe ou! Vite!

44:07 Suivez ce taxi.

44:14 - Were you followed? - Yes, by Dyle. But I lost him.

44:19 I'm beginning to think women make the best spies.

44:21 Agents.

44:23 - He has a gun, Mr. Bartholomew. - No.

44:27 - But I saw it. - No, that's not Carson Dyle.

44:30 - Carson? - There's only one Dyle connected with this affair, Mrs. Lampert.

44:34 That's Carson Dyle.

44:36 You mean you've known about him all along?

44:39 It's enough to make you a vegetarian, isn't it?

44:42 It's just lucky I'm not hanging next to one of those right now.

44:48 Why didn't you tell me you knew about Dyle?

44:50 I didn't see any point. Dyle's dead.

44:55 Mr. Bartholomew, what is all this about?

44:57 In 1944, five members of the O.S.S...

45:02 the military espionage unit...

45:05 were ordered behind the German lines...

45:07 for the purpose of delivering $250,000 in gold...

45:12 to the French underground.

45:15 The five men were of course your husband Charles,

45:17 the three men at his funeral yesterday...

45:20 - and Carson Dyle. - Oh.

45:24 But instead of delivering the gold, they stole it.

45:27 - How? - By burying it,

45:29 then reporting the Germans had captured it.

45:32 All they had to do was come back after the war,

45:35 dig it up and split it five ways.

45:37 Quarter of a million dollars with no questions asked.

45:42 May I have a cigarette, please?

45:45 I can't stand those things.

45:47 It's like drinking coffee through a veil.

45:50 Everything went smoothly enough until after the gold was buried.

45:55 Before they could get out they were ambushed by a German patrol.

45:59 A machine gun separated Scobie from his right hand...

46:02 and caught Carson Dyle full in the stomach.

46:09 What was wrong with that one?

46:11 Nothing, I guess. What happened then?

46:14 Have you any idea what these things cost over here?

46:17 Please go on, Mr. Bartholomew. What happened then?

46:23 Carson Dyle was dead, but Scobie was able to travel. So...

46:28 - La soupe, c'est pour qui? - Pour moi.

46:41 Where was I?

46:43 - Carson Dyle was dead. - Yes.

46:45 The others finally got back to the base and waited for the war to end,

46:48 only Charles couldn't wait quite as long as the others.

46:51 He beat them back to the gold, took everything for himself and disappeared.

46:55 It's taken Gideon, Tex and Scobie all this time to catch up with him again.

46:59 But if they stole all that money, why can't you arrest them?

47:03 Shh!

47:05 We know what happened from the bits and pieces we were able to paste together,

47:10 but we still have no proof.

47:12 What's this got to do with the C.I.O.?

47:18 C.I.A., Mrs. Lampert.

47:21 It's an extension of the wartime O.S.S.

47:25 It's our money and we want it back.

47:27 I'm sorry, Mr. Bartholomew, but nothing you've said has changed my mind.

47:31 I'm leaving Paris tonight.

47:34 Wouldn't advise that, Mrs. Lampert.

47:37 Better consider what happened to your husband when he tried to leave.

47:40 Those men won't be very far away no matter where you go.

47:43 In fact, I don't even see any point in your changing hotels.

47:46 Now, please help us, Mrs. Lampert.

47:49 Your government is counting on you.

47:54 Well, if I'm going to die I might as well do it for my country.

47:57 That's the spirit. Here's what I want you to do.

48:00 We're anxious to know who this man is, the one calling himself Dyle.

48:04 I want you to find out.

48:06 Why me?

48:08 You're in an ideal position. He trusts you.

48:11 Besides, you yourself said women make the best spies.

48:17 Agents.

48:32 Oh, pardon.

48:56 - Fraulein. Fraulein! - What are you doing following me?

49:00 It's gonna look like a parade. Stop it!

49:10 How are you? Nice to see you. When did you arrive?

49:13 It's a lovely town. Are you having a good time? So many things to see.

49:22 Fraulein! Fraulein!

49:25 If you don't stop following me I'll call the police!

49:31 Taxi!

49:32 Carson Dyle's brother

49:55 - Dyle, please. D-Y-L-E. - Yes, Mr. Dyle. I remember.

50:05 - No, I'm sorry, Mr. Dyle. Nothing today. - Thank you.

50:09 Mr. Dyle, please. You're wanted on the telephone.

50:12 Mr. Dyle. Cabin four.

50:14 Mr. Dyle. Cabin four, please.

50:24 - Yes? - Good morning, Mr. Dyle.

50:29 - Reggie? - It's the only name I've got. How 'bout you?

50:32 No cat and mouse. You've got me. What do you want to know?

50:35 Why you lied to me!

50:38 I had to. For all I knew you were in on the whole thing.

50:40 - I'm trying to find out who you are. - You know my name. It's Dyle.

50:44 Carson Dyle is dead.

50:46 Yes, he is. He was my brother.

50:50 Your brother?

50:52 The army thinks he was killed in action by the Germans,

50:55 but I think they did it... Tex, Gideon, Scobie and your husband...

50:59 because my brother wouldn't go along with their scheme to steal the gold.

51:03 I think he threatened to turn them in and they killed him.

51:05 I'm trying to prove it. They think I'm working with them, but I'm not, Reggie.

51:10 I'm on your side. Just believe that.

51:13 How can I? You lied to me just the way Charles did.

51:16 After promising you wouldn't.

51:18 Oh, I want to believe you, Peter...

51:20 I can't call you that anymore, can I?

51:22 Take me a while to get used to your new name. What is it?

51:27 Hmm? Hello? Hello?

51:35 On the roof

51:46 Do anything funny or try to talk to anyone and I'll kill you, Dyle.

51:49 You'll wreck your raincoat.

51:52 Take the next car, please.

52:12 Look out. Didn't want you to bump your head.

52:17 All right, get in there.

52:29 All right, turn around.

52:40 - Now sit down.

52:53 - Now what? - We wait. With our mouth shut.

53:06 Oh, I'm sorry about that.

53:19 Okay. Up there.

53:31 - Do I knock or something? - No, open it...

53:34 and keep right on goin'.

53:37 The view had better be worth it.

53:53 Very pretty. Now what?

53:58 I was afraid of that.

54:05 I'll give you a chance, Dyle, which is more than you'd give me.

54:10 Where's the money?

54:14 Is that why you dragged me all the way up here?

54:16 To ask me that?

54:18 - She has it. - And I say maybe you both have it.

54:22 One more time, Dyle. Where is it?

54:27 Supposing I had it... which I don't...

54:31 do you really think I'd just hand it over to you?

54:37 Step back.

54:42 Back where?

54:44 That's the idea.

54:47 Hmm. N-Now, just a minute. Take it easy.

56:30 A truthful Whitefoot

56:37 - Herman? - What?

56:44 - How you doing? - How do you think?

56:47 If you get bored,

56:49 try writing "Love thy neighbor" 100 times on the side of the building.

57:03 Monsieur, next time, please, use the keyhole, hmm?

57:20 - Is that you? - Yeah.

57:23 - You gonna open up? - Sure. Wait a minute.

57:27 Don't you know it's impolite to leave someone holding... the phone?

57:31 What happened?

57:33 Oh, I met a man with sharp nails.

57:38 - Scobie? - Mm-hmm.

57:40 I left him hanging around the American Express.

57:44 Come in. I've got something that stings like crazy.

57:47 You're the kind of girl that'd have something like that.

57:50 Sit down.

57:52 Uh, w-w-wait a minute.

57:54 - W-W-What is that stuff? - Marvelous stuff.

57:56 - Gonna hurt you much more than it's gonna hurt me. - I'll bet...

57:59 Ohh! Did you hear something rip?

58:01 - No. - Oh. That's odd.

58:06 Listen, I-I only came in for an estimate.

58:09 Sit still. It's not too bad.

58:11 You won't be able to lie on your back for a few days.

58:14 - But then, you can lie from any position, can't you? - Oh-ho-ho...

58:17 - Ooooh! - Does it hurt?

58:19 - What? - Does it hurt?

58:21 - Ohh! Are you kidding?

58:23 Have you got a bullet I could bite, like they do in the movies?

58:27 Are you really Carson Dyle's brother?

58:29 Would you like to see my passport?

58:32 Passport? What kind of a proof is that?

58:34 - Well, would you like to see where I was tattooed? - Yes.

58:37 All right, we'll drive around that way.

58:42 You could at least tell me what your first name is these days.

58:46 Alexander.

58:49 Okay, Alexander.

58:51 - You're done. - Good.

58:53 You're a new man.

58:55 I'm sorry the old one couldn't tell you the truth,

58:58 but I had to find out your part in all this.

59:02 Is there a Mrs. Dyle?

59:04 Yes, but we're divorced.

59:08 I thought that was Peter Joshua.

59:10 I'm just as difficult to live with as he was.

59:15 Alex, how can you tell if anyone's lying or not?

59:19 - You can't. - There must be some way.

59:21 There's an old riddle about two tribes of Indians.

59:24 The Whitefeet always tell the truth and the Blackfeet always lie.

59:27 One day you meet an Indian, you say,

59:29 "Hey, Indian, what are you, a truthful Whitefoot or a lying Blackfoot?"

59:33 He says, "I'm a truthful Whitefoot." But which is he?

59:39 Why couldn't you just look at his feet?

59:41 Because he's wearing moccasins.

59:43 Well, then, he's a truthful Whitefoot, of course.

59:46 Why not a lying Blackfoot?

59:49 - Which one are you? - A truthful Whitefoot.

59:54 Come in.

59:57 - Sit down. - Why? Do you wanna look at my feet?

59:59 Yes.

1:00:01 - Uh... - Ohh.

1:00:03 Hey, knock it off. Come on, Reggie, listen to me.

1:00:06 Here it comes, the fatherly talk.

1:00:08 - You forget I'm already a widow. - So was Juliet, at 15.

1:00:12 - But I'm not 15. - Well, that's your trouble... you're too old for me.

1:00:15 - Can't you be serious? - Oh! You just said an horrible word.

1:00:18 - What did I say? - Serious.

1:00:21 When a man gets to be my age, that's the last word he ever wants to hear.

1:00:24 I don't want to be serious, and I especially don't want you to be.

1:00:28 Okay, we'll just sit around all day being frivolous. How about that, hmm?

1:00:33 - Reggie, cut it out.

1:00:36 Okay.

1:00:38 - Now what are you doing? - Cutting it out.

1:00:41 - Who told you to do that? - You did.

1:00:43 I'm not through complaining yet.

1:00:45 Oh.

1:00:50 - Now cut it out. - Alex, I think I love you.

1:00:58 - Hey, the telephone's ringing.

1:01:00 - Never mind.

1:01:02 Whoever it is won't give up, and neither will I.

1:01:05 Just a minute. Go on, take it.

1:01:09 Hello.

1:01:12 I'm sorry, uh... I was just, uh...

1:01:15 nibbling on something.

1:01:17 They've got Jean-Louis

1:01:17 Say, I'd appreciate it mighty highly...

1:01:19 if you'd, uh, wiggle on over to room 46 and chew the fat for a spell.

1:01:23 Give me one reason why I should.

1:01:25 Yeah. A little one, about six or seven.

1:01:30 Keeps callin' for Aunt Reggie.

1:01:32 Ain't that cute?

1:01:35 They've got Jean-Louis.

1:01:39 I'll be right there.

1:01:44 Hey, Tex, do somethin' with this kid, will ya? My leg's goin' to sleep.

1:01:48 Upsy-daisy.

1:01:50 Are you a real cowboy?

1:01:52 Yeah, sure I am, kid.

1:01:54 So where's your gun?

1:02:00 Will you put that thing away!

1:02:02 Jean-Louis.

1:02:04 Howdy, Miz Lampert.

1:02:08 Who invited him?

1:02:10 Well, Herman, I see you had a happy landing.

1:02:12 I must call Sylvie right away.

1:02:14 - I'm afraid that'll have to wait, Mrs. Lampert. - It's his mother.

1:02:17 She won't be anybody's mother unless you answer some questions.

1:02:20 - This ain't no game, Miz Lampert. - We want that money now.

1:02:23 Why don't you keep quiet and stop threatening the child.

1:02:27 He hasn't got the money, and neither has Mrs. Lampert.

1:02:31 Then who does?

1:02:32 I don't know, Herman. Maybe you do.

1:02:35 Me?

1:02:37 - Or you. - Ohh!

1:02:40 - Or him. - Why, that's the most ridiculous thing I ever...

1:02:43 - Listen to this man. - Man's gone loco.

1:02:46 Now hold it. Suppose one of you found Charles here in Paris.

1:02:51 Even bumped into him by accident,

1:02:53 followed him when he tried to run out again, cornered him on the train,

1:02:56 threw him out the window and, without bothering to tell the other two,

1:02:59 took all the money for yourself.

1:03:01 If one of us did that, he wouldn't hang around waiting for the other two to figure it out.

1:03:05 But he'd have to. Don't you see? If he left, he'd be admitting his guilt.

1:03:09 Whoever it is has to wait here pretending to look for the money,

1:03:12 waiting for the rest of us to give up and go home.

1:03:15 He's just tryin' to throw us off. They got it, I tell ya.

1:03:19 Why don't we search their rooms?

1:03:22 That's all right with us.

1:03:24 Then what are we wastin' time for? Let's go.

1:03:28 - While we're waiting, we'll search yours. - Not my room!

1:03:30 Well, Herman. You have something to hide?

1:03:36 Then there are no objections.

1:03:39 All right, here's my key.

1:03:41 - I'll take that. - My room's open.

1:03:44 Everyone. Whoa. Come on.

1:03:48 Now, you two just make yourselves to home here.

1:03:53 Well, let's get busy.

1:03:55 Come on, Jean-Louis. Come on. Oh, that's fine.

1:03:58 - Who gets your vote? - Scobie. He's the one who objected.

1:04:01 All right, I'll take Tex's room here and Gideon's.

1:04:04 You take Jean-Louis with you, and bolt the door from inside.

1:04:07 Come on, Jean-Louis. We'll have a treasure hunt.

1:04:13 Tex?

1:04:17 Man, that's Charlie's stuff.

1:04:19 Looks like it.

1:04:21 - Think we ought to call Herman? - What for?

1:04:24 If it's not here, why bother him?

1:04:27 And if it is?

1:04:29 Why bother him?

1:04:34 Oh.

1:04:37 - What? - Sure there's nothing missing here?

1:04:40 No, everything's here. The police have kindly provided us with a list.

1:04:45 Sure ain't nothin' here worth no quarter of a million dollars.

1:04:48 Not unless we're blind.

1:04:50 I keep telling myself we've stolen a great deal of money,

1:04:54 but up to now I've yet to see a penny of it.

1:04:57 You think maybe we're fishin' up the wrong stream?

1:05:01 Meaning what?

1:05:03 Suppose one of us has it. You know, like the man says.

1:05:07 Now, that'd be mighty distasteful,

1:05:09 us bein' veterans of the same war and all.

1:05:12 Well, you know I'd tell you if I had it.

1:05:17 Naturally. Just like I'd tell you if I had it.

1:05:20 Naturally.

1:05:22 And that goes for Herman too.

1:05:25 Naturally.

1:05:31 He's all right, Sylvie. Honestly.

1:05:33 Just hurry over as soon as you can. Okay. Good-bye.

1:05:38 Now, if you had a treasure, where would you hide it?

1:05:43 I would bury it in the garden.

1:05:45 Swell, but this man doesn't have a garden.

1:05:48 - Oh, neither do I. - You don't?

1:05:51 Well, if you had to hide it in this room, where would you put it?

1:05:55 - Up there. - On top of that cupboard?

1:05:58 You know something? You may be right.

1:06:05 Oh, I hope I don't find any hairy little things living up here.

1:06:10 Hey, there is something. And it's heavy.

1:06:13 I found it! I found it! I found it!

1:06:15 If you think you're getting credit for this, you're crazy.

1:06:18 We won! We won! We won!

1:06:21 We won! We won! We won! We won!

1:06:25 We found it! We found it!

1:06:27 - Did you find it? - No.

1:06:29 - What do you mean, no? - The kid was yellin'.

1:06:32 Up there. It's up there.

1:06:35 Believe me, there's nothing up there.

1:06:38 Yeah?

1:06:42 Oh!

1:06:56 Oh! Jumpin' frijoles.

1:06:59 It's Herman's spare.

1:07:03 - Where is he? - He's over in my room.

1:07:24 You'd better take the boy out in the hall.

1:07:35 Oh, now, who would've done a mean thing like that?

1:07:41 I'm not quite sure.

1:07:43 Well, this ain't my room.

1:07:45 Mine neither.

1:07:47 Oh, the police aren't going to like this a bit.

1:07:50 We could dry him off and take him down the hall to his own room.

1:07:55 He really doesn't look too bad.

1:07:57 Oh, poor old Herman.

1:07:59 Seems like him and good luck always was strangers.

1:08:03 Well, maybe now he'll meet up with his other hand someplace.

1:08:13 Grandpierre's nose

1:08:16 A man drowned in his bed?

1:08:18 Impossible.

1:08:20 And in his pyjamas... the second one in his pyjamas. C'est trop stupide.

1:08:25 Stop lying to me.

1:08:27 This nose tells me when you are lying.

1:08:30 It is never mistaken, not in 23 years.

1:08:33 This nose will make me Commissaire of Police.

1:08:36 Mr. Dyle, or Mr. Joshua... Which is it?

1:08:41 Dyle.

1:08:43 And yet you registered in Megève as Mr. Joshua.

1:08:46 Didn't you know it was against the law to register under an assumed name?

1:08:50 - No, I didn't. - It's done in America all the time.

1:08:54 None of you will be permitted to leave Paris...

1:08:57 until this matter is cleared up.

1:08:59 Only I warn you, I will be watching.

1:09:03 We use the guillotine in this country.

1:09:07 I have always suspected that the blade coming down...

1:09:11 causes no more than a slight tickling sensation...

1:09:14 on the back of the neck.

1:09:17 It is only a guess, of course.

1:09:19 I hope none of you ever finds out for certain.

1:09:29 Who do you think did it?

1:09:31 - Gideon? - Possibly.

1:09:34 - Or Tex? - Possibly.

1:09:37 - You're a fat lot of help. - That's right.

1:09:39 - Can I have one of those? - What?

1:09:41 - I think Tex did it. - Oh.

1:09:43 - Vanille et chocolat, s'il vous plait. - Why do you think Tex did it?

1:09:46 Because I really suspect Gideon,

1:09:48 and it's always the person you don't suspect.

1:09:50 Do women think it feminine to be so illogical, or can't they help it?

1:09:54 What's so illogical about that?

1:09:56 You just said it's always the one you don't suspect.

1:09:59 If you suspect Gideon, therefore it must be Tex.

1:10:02 On the other hand, if you suspect Tex it must be the other fella, Gideon.

1:10:05 - I guess they just can't help it. - Hmm?

1:10:08 - Who? - Women.

1:10:10 Oh.

1:10:12 You know, I can't help feeling rather sorry for Scobie.

1:10:15 Wouldn't it be nice if we were like that?

1:10:18 - What, like Scobie? - No. Gene Kelly.

1:10:20 You remember when he danced down here by the river in An American In Paris...

1:10:23 without a care in the world?

1:10:25 - Mmm. - You know, this is good. Want some?

1:10:28 - Uh... - Ohh!

1:10:31 No, thanks.

1:10:33 - I guess you don't either. Here, give me that.

1:10:37 I'm sorry.

1:10:39 Alex, I'm scared.

1:10:42 Yes, I know.

1:10:44 I can't think of any reason why he was killed.

1:10:47 Well, perhaps someone thought that four shares were too many.

1:10:50 What makes you think that this someone is going to be satisfied with three?

1:10:54 He wants it all. That means we're in his way too.

1:10:57 That's right.

1:10:59 We've got to do something. I mean, any minute now we could be assassinated.

1:11:03 Would you do anything like that?

1:11:05 What, assassinate someone?

1:11:08 No. Swing down from there on a rope to save the woman you love.

1:11:11 Like the hunchback of Notre Dame.

1:11:13 Uh... Huh?

1:11:15 - Who put that there?

1:11:19 Drip-dry

1:11:21 Hurry up and change. I'm starved.

1:11:23 Let me know what you want to eat so I can pick out a suit that matches.

1:11:26 Ha ha ha ha.

1:11:37 Ah-ah-ah! What do you want?

1:11:41 It's the house detective. Why don't you have a girl in there?

1:11:44 God, you're a pest.

1:11:46 - Can I come in? - No. I'm going to take a bath.

1:11:49 Wouldn't it be better if you did it in here?

1:11:52 - What for? - Well, I wouldn't want to use that tub.

1:11:56 Anyway, I don't want to be alone. I'm afraid.

1:11:59 You're only next door. If anything happens, holler.

1:12:04 Aaaah!

1:12:08 Reggie?

1:12:10 Got you. Ha ha.

1:12:12 Did you ever hear the story of the boy who cried wolf?

1:12:15 The shower's in there.

1:12:18 - Oh, come on, open the door. - This is a ludicrous situation.

1:12:21 I can think of a dozen men who are just longing to use my shower.

1:12:25 - Why don't you call one of them? - I dare you.

1:12:28 Oh, you're a nut.

1:12:33 - What are you doing? - Taking off my shoes.

1:12:36 Did you ever hear of anyone taking a shower with their shoes on?

1:12:42 I usually sing a medley of old favorites when I'm in the shower.

1:12:46 - Any requests? - Shut the door.

1:12:49 I'm afraid I don't know that one, miss. Well...

1:12:53 - Shut the door! - Why?

1:12:55 Come in and watch.

1:13:09 Drip-dry.

1:13:12 How often do you go through this little ritual?

1:13:15 Oh, every day. The manufacturer recommends it.

1:13:18 I don't believe it.

1:13:20 Oh, yes, it's... Wait a minute.

1:13:23 - Read the label.

1:13:26 Look at the small print.

1:13:29 "Wearing this suit during washing...

1:13:31 helps protect its shape."

1:13:35 Whoo! Ha ha!

1:13:40 Waterproof.

1:13:43 Ah-ha-ha-ha-ha.

1:13:47 Wait.

1:13:50 Acro-nylon. Fibrous resistant.

1:13:52 - Plastic. Rustproof. Fireproof. Proof-proof.

1:13:56 - You're the nut. - Nut-proof!

1:14:04 Carson Dyle had no brother

1:14:04 - Yes? - Mrs. Lampert? Bartholomew.

1:14:07 I spoke to Washington, Mrs. Lampert.

1:14:09 Go ahead, Mr. Bartholomew. I'm listening.

1:14:12 Well, I told them what you said about this man being Carson Dyle's brother.

1:14:17 I asked them what they knew about it, and they told me.

1:14:20 You're not gonna like this, Mrs. Lampert.

1:14:22 Carson Dyle had no brother.

1:14:27 - Mrs. Lampert? - Are you sure there's no mistake?

1:14:30 None whatsoever. Please be careful, Mrs. Lampert.

1:14:33 Bye.

1:14:43 I left all my drip-dry dripping. Is that all right?

1:14:47 What's the matter? Is something wrong?

1:14:50 You're probably weak from hunger.

1:14:52 You've only eaten five times today.

1:14:54 I'll fix up my suit and take you out to dinner.

1:14:57 Let's go somewhere crowded. I feel like a lot of people.

1:15:11 Hey, you know, this thing is still damp.

1:15:17 You haven't spoken a word for 20 minutes.

1:15:21 I was thinking about Charles and Scobie and who's going to be next.

1:15:24 Me?

1:15:26 I don't suppose you know who the murderer is, do you?

1:15:29 No. Not yet.

1:15:31 Whoever's left alive at the end will pretty much have sewn up the nomination.

1:15:36 What are you trying to say, that I might have killed Charles and Scobie?

1:15:39 What do I have to do to satisfy you? Become the next victim?

1:15:42 - It's a start, anyway. - Oh.

1:15:45 I can't understand you at all.

1:15:47 One minute you're chasing me around the shower room.

1:15:50 The next minute you're accusing me of murder.

1:15:53 Carson Dyle had no brother.

1:15:59 Oh, I can explain that, if you'll just listen.

1:16:02 Well, I can't very well leave without a pair of water wings, can I?

1:16:05 - All right, get set for the story of my life. - Fiction or nonfiction?

1:16:09 - Eh... Why don't you shut up? - Well!

1:16:12 - Are you going to listen? - Go on.

1:16:15 All right.

1:16:17 Now, when I was a young man my father expected me to go into his business.

1:16:22 Umbrella frames. That's what he made.

1:16:25 A sensible business, I suppose, but I didn't have the sense in those days to be sensible.

1:16:29 I suppose all this is leading somewhere.

1:16:31 Well, it led me away from umbrella frames, for one thing.

1:16:35 But that left me without any honest means of support.

1:16:38 What do you mean?

1:16:40 Well, in this highly competitive world,

1:16:42 when a man has no profession there isn't much choice,

1:16:45 so I began looking for people who had more money than they needed,

1:16:49 including some they'd barely miss.

1:16:51 You mean, you're a thief?

1:16:53 Well, that's not exactly the term I'd have chosen,

1:16:57 but it sort of captures the spirit of the thing.

1:17:00 I don't believe it.

1:17:04 I can't really blame you now.

1:17:06 But I do believe it. That's what I don't believe.

1:17:09 So it's good-bye, Alexander Dyle, welcome home, Peter Joshua.

1:17:14 Sorry. The name's Adam Canfield.

1:17:16 - Adam Canfield? - Mm-hmm.

1:17:20 Wonderful. You've had three names in the past two days.

1:17:23 I don't even know who I'm talking to anymore.

1:17:26 - Well, the man's the same, even if the name isn't. - No, he isn't.

1:17:30 - Adam Canfield is a crook, and I want to know why. - Well, it's simple.

1:17:33 I like what I do. I enjoy my work.

1:17:36 There aren't many men who love their work as much as I do.

1:17:39 You look around sometime.

1:17:41 Is there a Mrs. Canfield?

1:17:44 - Yes, but we're divorced. - "But we're divorced."

1:17:47 - That's right. Now go and eat your dinner. - Oh, I could eat a horse.

1:17:51 I think that's what you ordered.

1:17:53 Don't you dare be civil with me, after leading me on like this.

1:17:56 - How did I lead you on? - Oh, all that marvelous rejection.

1:18:00 You knew I couldn't resist it.

1:18:02 - Now it turns out all you're interested in is the money. - That's right.

1:18:05 - Ohh! - Well, what would you like me to say?

1:18:08 That a pretty girl with an outrageous manner means more to an old pro like me...

1:18:11 than a quarter of a million dollars?

1:18:13 - I don't suppose so. - It's a toss-up, I can tell you that.

1:18:17 Mmm... What?

1:18:21 Hasn't it occurred to you that I'm having a tough time keeping my hands off you?

1:18:29 - Oh, you should see your face. - What's the matter with it?

1:18:33 It's lovely.

1:18:34 Ohh.

1:18:38 Now what's the trouble?

1:18:40 I'm not hungry anymore. Isn't it glorious?

1:18:45 - Adam! - It's all right. Come and look.

1:18:48 For her Romeo came

1:18:54 And

1:18:57 It was closing night

1:19:02 The ending of

1:19:05 - You don't look so bad in this light.

1:19:08 Why do you think I brought you here?

1:19:11 Maybe you wanted me to see the kind of work...

1:19:13 the competition was turning out.

1:19:15 Pretty good, huh?

1:19:17 I taught them everything they do.

1:19:20 Oh, did they do that kind of thing way back in your day?

1:19:25 Sure. How do you think I got here?

1:19:28 I hear it still

1:19:31 I always will

1:19:33 - Not allowed to kiss back, huh? - Oh, no.

1:19:36 Doctor said it was bad for my thermostat. Mm-hmm.

1:19:43 Charade

1:19:53 Well, when you come on you come on, don't you?

1:19:56 Well, come on.

1:19:59 A death in the lift

1:20:16 Yeah. Huh?

1:20:20 In the lobby?

1:20:26 Are you out of your mind?

1:20:28 It's 3:30 in the morning.

1:20:32 You mean it?

1:20:34 Ah-choo!

1:20:36 All right. All right, I'll be right down. Wait a minute.

1:21:17 H... H-Hey, turn on the lights!

1:21:28 Hey, how do you stop this thing?

1:21:31 Ah-choo!

1:21:33 Ah-choo! Ah-choo!

1:21:36 Aaaaaah!

1:21:50 Three of them, all in their pyjamas? C'est ridicule.

1:21:53 What is it, some new American fad?

1:21:56 And now your friend who lives here, uh, the one from Texas,

1:21:59 he has disappeared into thin air.

1:22:02 - Where is he? - I wish I knew.

1:22:05 Madame?

1:22:08 Tell me, Mr. Dyle. Where were you at 3:30 a.m.?

1:22:12 In my room, asleep.

1:22:15 - And you, Mrs. Lampert? - I was too.

1:22:17 In Mr. Dyle's room?

1:22:19 No, in my room.

1:22:22 Obviously you're telling the truth,

1:22:25 for why would you invent such a ridiculous story?

1:22:30 And if I were you, I wouldn't stay in my pyjamas.

1:22:33 Good night.

1:22:37 Well, that wraps it up. Tex has the money.

1:22:40 - I'll let you know when I've found him. - You're gonna go looking for him now?

1:22:44 If the police find him first, they're not going to turn over that quarter of a million to us.

1:22:48 - Oh, Adam... - Go to bed and bolt your door.

1:22:58 - Yeah? - Now you listen to me, Dyle.

1:22:59 Charles's airline bag

1:23:01 I know who's got that money, man, and I want my share.

1:23:05 Seems to be growin' every day.

1:23:07 Well, I ain't disappearin' till I get it.

1:23:09 - Where are you, Tex? - Come on, man.

1:23:12 Look, my mama didn't raise no stupid children.

1:23:15 I'll tell you what.

1:23:17 You wanna find me,

1:23:19 you just look over your shoulder,

1:23:21 'cause from now on I'm gonna be right behind you.

1:23:35 Open up.

1:23:41 - I think I was wrong about Tex having the money. - Why?

1:23:45 I just heard from him. He's still hungry.

1:23:48 That means killing Gideon didn't get it for him.

1:23:51 So he's narrowed it down to us. You've got it.

1:23:55 But I've looked everywhere. You know I have.

1:23:57 Where's the airlines bag?

1:23:59 - In the wardrobe. - Get it.

1:24:02 Lord, you're obstinate.

1:24:04 Charles must have had it with him on the train when Tex killed him.

1:24:07 Thanks.

1:24:10 Everybody and his Aunt Lillian's been through that bag,

1:24:13 including me.

1:24:15 - Okay, we'll do it again. - I've been into it at least once a day.

1:24:18 Somebody would have seen it.

1:24:22 It's there, Reggie. We're looking at it right now.

1:24:26 Something on that bed is worth a quarter of a million dollars.

1:24:28 - But what? - I don't know. I don't know.

1:24:32 Four passports. No.

1:24:37 Steamship ticket.

1:24:40 - Anything in there? - Nothing.

1:24:42 Wallet.

1:24:46 Comb? No.

1:24:49 A fountain pen.

1:24:54 What about that key?

1:24:56 To the apartment. Matches mine exactly.

1:24:58 Well...

1:25:01 I bet you don't really need those.

1:25:05 You need them.

1:25:10 This still doesn't make sense,

1:25:12 but it isn't worth a quarter of a million dollars either.

1:25:17 - Wait a minute. - What?

1:25:19 - The tooth powder. - What about it?

1:25:22 Could you recognize heroin just by the taste of it?

1:25:30 Heroin.

1:25:32 - Peppermint-flavored heroin. - Mmm.

1:25:36 Well, I guess that's it.

1:25:38 Dead end.

1:25:40 Well, go to bed. You've gotta go to work in the morning.

1:25:43 There's nothing more we can do tonight.

1:25:46 I love you, Adam.

1:25:50 Yes, you told me.

1:25:52 No. The last time I said, "I love you, Alex."

1:25:55 Oh.

1:25:57 Oh.

1:25:59 The stamp market

1:26:11 - Hold it. They're recognizing Great Britain. - Ooh, la vache.

1:26:14 Mr. Chairman, fellow delegates...

1:26:16 and my distinguished colleague from Italy.

1:26:19 Her Majesty's delegation has listened with great patience to the Southern European...

1:26:23 - Oh, are you on? - No, it's all right. What's wrong, Adam?

1:26:25 Nothing. I think I've found something.

1:26:27 I was snooping around Tex's room and came across this in the wastebasket.

1:26:30 I stuck it together again.

1:26:32 That's the receipt Grandpierre gave me for Charles' things.

1:26:35 - I don't see how that's going to... - No, you're not looking.

1:26:38 When we went through the airlines bag, something was missing... an agenda.

1:26:41 That's an appointment book, isn't it? It wasn't there.

1:26:45 That's right.

1:26:47 I remember Grandpierre looking through it,

1:26:49 but there was nothing in it the police thought was very important.

1:26:52 Can you remember anything in it?

1:26:54 Well, it did say something about Charles' last appointment.

1:26:57 With who? Where?

1:26:59 - I think it only said where. - Come on, Reggie, think.

1:27:02 This may be what we're looking for.

1:27:04 Adam, that money doesn't belong to us.

1:27:07 - If we keep it, we'll be breaking the law. - Nonsense. We didn't steal it.

1:27:10 - There's no law against stealing stolen money. - Of course there is!

1:27:14 There is? When did they pass such a silly law? Now think, Reggie.

1:27:17 What was in that appointment book?

1:27:19 A place or street corner or something.

1:27:21 Watch it. I'm on.

1:27:36 ...of, of the Western hemisphere conference...

1:27:41 ...of the Western hemisphere conference...

1:27:44 held on March 22...

1:27:46 No, wait! It was last Thursday, 5:00.

1:27:48 Jardin des Champs Elysees.

1:27:51 That's it, Adam! The garden!

1:27:53 Well, it's Thursday today, and it's almost 5:00, so come on.

1:27:57 It's all right, gentlemen. Carry on.

1:28:02 Now what?

1:28:04 5:00, Thursday, the gardens.

1:28:07 Must be something around here.

1:28:09 Charles' appointment was last week.

1:28:11 - Yes, I know, but this is all we've got left. - You're not kidding.

1:28:15 Ten minutes ago I had a job.

1:28:17 Now you've got another job, so stop grumbling and start looking.

1:28:20 I'll take that side. You poke around over here.

1:29:02 It's hopeless. I don't even know what we're looking for.

1:29:05 I don't think Tex does either.

1:29:07 - Tex? Is he here? - Look.

1:29:15 I'm going to see what he's up to. You stay here.

1:29:18 Be careful, Adam. He's already killed three men.

1:30:28 Wait! Wait!

1:30:30 Taxi!

1:30:32 Back up.

1:30:52 All right, where's the letter?

1:30:55 The letter, huh? It ain't worth nothin'.

1:30:59 You know what I mean. The envelope with the stamps on it.

1:31:02 I want it.

1:31:04 You greenhorn.

1:31:07 Why, you thick-skulled, harebrained, half-witted greenhorn.

1:31:11 And they was both too smart for us.

1:31:14 - What are you talking about? - First her husband, now her?

1:31:18 She batted all of them big eyes at you...

1:31:21 and you fell for it like an egg from a tall chicken.

1:31:25 You want the envelope?

1:31:27 There. You take it. It's all yours.

1:31:34 You killed all three of 'em for nothin'!

1:31:39 You greenhorn!

1:31:41 You blockheaded jackass!

1:31:44 You are a nincompoop!

1:31:50 Sylvie! What are you doing here?

1:31:52 I'm waiting for Jean-Louis.

1:31:54 Oh. What's he up to?

1:31:56 He was so excited when he got the stamps you gave him this morning.

1:32:00 - He said he'd never seen any like them. - I'm glad.

1:32:03 - What's all this? - The stamp market.

1:32:05 It's there every Thursday afternoon.

1:32:07 That's where Jean-Louis trades his stamps.

1:32:10 - Good Lord, where is he? - What's the matter, cherie?

1:32:12 The stamps

1:32:13 The stamps! They're worth a fortune!

1:32:15 - What? - A fortune! Come on!

1:32:25 - Oh, I don't see him anywhere. - We'll separate.

1:32:28 - You look over there. - Okay.

1:32:34 Jean-Louis!

1:32:38 Jean-Louis!

1:32:40 - Jean-Louis!

1:32:50 Jean-Louis!

1:32:52 Jean-Louis.

1:32:54 Reggie! Reggie!

1:33:00 Jean-Louis, thank heaven. Do you have the...

1:33:04 - What's this? - A man gave me all those for only three.

1:33:08 A man? Oh, no, Jean-Louis. Who? Where?

1:33:15 Vite, mon chéri. Vite.

1:33:18 - La-bas. - Come on!

1:33:24 - Oh, but he's gone. - I don't blame him.

1:33:27 - Entrez.

1:33:31 - Monsieur Felix? - Oui.

1:33:35 I was expecting you. I knew you would come.

1:33:38 Look at them, madame.

1:33:40 Have you ever, in your entire life, seen anything so beautiful?

1:33:44 I'm sorry. I don't know anything about stamps.

1:33:47 I know them as one knows his own face, though I had never seen them.

1:33:52 This one, a Swedish four shilling...

1:33:54 called Da Gula Fyraskillingen,

1:33:56 printed in 1854.

1:33:58 - What is it worth? - Oh, the money is unimportant.

1:34:02 I'm afraid it's very important.

1:34:04 Well, in your money, perhaps $85,000.

1:34:08 - May I sit down? - Yes.

1:34:10 - And the blue one? - Oh, it's called The Hawaiian Blue.

1:34:13 In 1894 the owner was murdered by a rival collector...

1:34:17 who was obsessed to own it.

1:34:19 And what is its value today?

1:34:21 Sixty-five thousand.

1:34:23 - And the last one. - Ah, the best for last.

1:34:27 Le chef d'oeuvre de la collection. The masterpiece.

1:34:31 The most valuable stamp in the world.

1:34:33 It's called the Gazette Maldave.

1:34:35 It was printed by hand on colored paper...

1:34:38 and marked with the initials of the printer.

1:34:40 Today it has a value of $100000.

1:34:45 I'm not a thief, madame.

1:34:48 I knew there was some mistake.

1:34:54 You gave the boy a great many stamps in return.

1:34:57 - Are they for sale now? - Let me see.

1:34:59 Three hundred and fifty European; two hundred Asian;

1:35:01 a hundred and seventy-five American; a hundred African;

1:35:04 and 12 Princess Grace commemorative.

1:35:07 Which comes to ten francs.

1:35:12 And don't forget these.

1:35:14 Thank you.

1:35:16 - I'm sorry. - Oh, no.

1:35:18 For a few minutes they were mine. That is enough.

1:35:27 Adam? Adam?

1:36:04 A chase through Paris

1:36:12 - Hello? - Mr. Bartholomew?

1:36:15 Yes.

1:36:17 Tex is dead. Smothered.

1:36:22 And Adam did it. He killed them all.

1:36:26 - Are you sure? - Yes, I'm sure.

1:36:29 Tex wrote the word "Dyle" before he died.

1:36:35 He's the murderer, I tell you.

1:36:37 Wait a minute, Mrs. Lampert. You'd better give that to me again.

1:36:41 It was the stamps on the letter Charles had with him on the train.

1:36:44 They were in plain view all the time, but no one looked at the envelope.

1:36:48 Mrs. Lampert, listen to me. You're not safe as long as you have these stamps.

1:36:51 Let's see. Do you know the center garden at the Palais Royale?

1:36:55 - The colonnade? - Yes, by the colonnade.

1:36:58 - As fast as you can get there. Hurry, Mrs. Lampert. - I'm leaving right away.

1:37:17 Reggie! The stamps! Where are they? Reggie! Wait!

1:37:20 So you can kill me too? Tex is dead. He wrote "Dyle" on the carpet.

1:37:23 - I'm not Dyle. You know that. - But Tex didn't know it. You're a murderer.

1:37:27 Reggie, I want those stamps!

1:37:29 - Palais Royale, vite. - Mais je suis occupe.

1:37:32 - Mais c'est tres urgent. - Occupe.

1:38:10 Whoa! Billet!

1:40:14 Ohh!

1:40:38 American Embassy.

1:40:40 American Embassy?

1:40:43 Uh, Mr. Bartholomew's office, please.

1:40:47 - Would you speak a little louder, please. - I can't speak any louder.

1:40:51 Mr. Hamilton Bartholomew.

1:40:53 I'm sorry. Mr. Bartholomew has left for the day.

1:40:56 But someone's trying to kill me.

1:41:00 - What? - Kill me!

1:41:02 You've got to get word to him right away.

1:41:05 He's in the center garden of the Palais Royale near the colonnade.

1:41:09 Tell him I'm trapped in a phone booth right below him in the Metro station.

1:41:12 The name's Lampert.

1:41:58 - Hello? - Hello. Mr. Bartholomew?

1:42:00 - Yes. - There was a call for you just now, Mr. Bartholomew.

1:42:04 It sounded quite urgent. A Mrs. Lampert.

1:42:06 Lampert? I don't know any Mrs. Lampert.

1:42:09 She says she's trapped in a Metro station and someone's trying to kill her.

1:42:13 Trying to kill her? Who does she think I am, the C.I.A.?

1:42:18 All right, I guess you'd better call the French police.

1:43:06 The Palais Royal

1:43:13 Mr. Bartholomew! Mr. Bartholomew! Help me!

1:43:16 Reggie! Stop!

1:43:19 That man is Carson Dyle.

1:43:23 We all know Carson Dyle is dead, Mrs. Lampert.

1:43:26 - I tell you, he's Carson Dyle. - Now, you're not gonna believe him.

1:43:29 Bring those stamps over here. He's trying to trick you again.

1:43:32 Tex recognized him. That's why he wrote Dyle.

1:43:36 - If you take him those stamps, he'll kill you too. - Mrs. Lampert!

1:43:40 If I'm who he says I am, what's preventing me from killing you right now?

1:43:44 Because he'd have to come out to get the stamps, and he knows he'd never make it.

1:43:47 Mrs. Lampert, he wants the money for himself.

1:43:50 That's all he's ever wanted.

1:43:53 - He's with the C.I.A. I saw him at the embassy. - I tell you, he's Carson Dyle.

1:43:56 That's right, Mrs. Lampert. That's right.

1:43:59 I'm a dead man. Look at me.

1:44:04 Oh, I don't know who anybody is.

1:44:07 Reggie, I beg you.

1:44:09 Just trust me once more.

1:44:11 Why should I?

1:44:14 I can't think of a reason in the world why you should.

1:44:23 Stop, Mrs. Lampert, or I'll kill you!

1:44:25 It won't get you the stamps, Dyle.

1:44:27 You'll still have to come out, and I'm not likely to miss at this range.

1:44:31 Maybe not, but it takes a lot of bullets to kill me.

1:44:34 They left me there with five in my legs and my stomach.

1:44:37 They knew I was alive, but they left me there.

1:44:40 I spent ten months in a German prison camp with nothing to stop the pain.

1:44:43 They left me there. They deserved to die.

1:44:45 - But I had nothing to do with it. - You've got the money now. It belongs to me.

1:44:49 Mrs. Lampert, they knew I was still alive, but they left me there.

1:44:53 That's why I had to kill them, all four of them.

1:44:56 Please believe me. I'll kill you too. It won't make any difference.

1:45:01 It's no use. You're running out of time.

1:45:05 I've come too far to turn back. I swear, I'll kill you!

1:45:11 Make up your mind, Mrs. Lampert. Now.

1:45:14 - Adam!

1:47:36 - All right.

1:47:39 I know you're in there, Mrs. Lampert. Come on out.

1:47:59 Do you hear me? Come on out!

1:48:14 I don't want to kill you, but I will.

1:48:22 Come on out.

1:49:00 The game is over, Mrs. Lampert.

1:49:14 Aaaaah!

1:49:34 Mr. Cruikshank

1:49:35 You didn't have to chase me so hard.

1:49:39 - That one's done. Do this one. - Oh.

1:49:42 I'm sorry I thought you were the murderer,

1:49:45 but how was I to know he was as big a liar as you are?

1:49:48 Is that all the gratitude I get for saving your hide?

1:49:51 Rub your own blinking foot.

1:49:53 The truth: Was it my hide, or those stamps?

1:49:56 What a terrible thing to say. How could you think that?

1:49:59 Then prove it to me.

1:50:01 Tell me to go to the embassy first thing in the morning and turn in those stamps.

1:50:07 - I said, tell me to go to the embassy first... - I heard you, I heard you.

1:50:11 Then say it.

1:50:13 Now, Reggie, listen to me. There's something I'd like to explain.

1:50:16 Never mind. I'll go by myself.

1:50:18 What makes you think they're even interested?

1:50:20 It's only a quarter million. It'll cost more than that for them to fix their bookkeeping.

1:50:24 Now, as a taxpayer...

1:50:26 Who's a taxpayer? Crooks don't pay taxes.

1:50:29 - Excuse me, soldier... - Marine, ma'am.

1:50:31 Forgive me. Who would I see regarding the return of stolen government money?

1:50:35 You might try the Treasury Department.

1:50:37 Room 217, second floor, Mr. Cruikshank.

1:50:39 217. Thank you, marine.

1:50:48 Uh, do you mind if I don't go in with you?

1:50:51 The sight of all that money being given away might make me break out.

1:50:57 Mr. Cruikshank, please. My name is Lampert.

1:51:00 Yes.

1:51:02 - Mr. Cruikshank? A Miss Lamp... - Mrs.

1:51:05 Mrs. Lampert to see you.

1:51:07 - Yes, sir. Go right in. - Thank you.

1:51:20 Of all the mean,

1:51:24 rotten,

1:51:26 contemptible, crooked...

1:51:28 Crooked? I should think you'd be glad to find out I'm not crooked.

1:51:32 You can't even be honest about being dishonest.

1:51:34 Why didn't you say something?

1:51:36 - We're not allowed to tell. Come on, give me the stamps. - Mm-mmm.

1:51:41 Wait. How did Dyle get an office in this building?

1:51:45 - When did you meet him? What time of day, I mean. - About 1:00.

1:51:48 The lunch hour. Probably worked it out in advance.

1:51:52 Found an office usually left open and moved in for the time you were here.

1:51:55 Then how do I know this is your office?

1:51:59 Mrs. Foster, take a memo to Bartholomew in Security recommending...

1:52:04 Bartholomew!

1:52:06 Recommending that embassy offices be kept locked during the lunch hour.

1:52:09 Mmm. Starting with his own.

1:52:12 - Give me the stamps. Come on. - What's your first name today?

1:52:15 - Brian. - Brian Cruikshank.

1:52:17 Serves me right if I get stuck with that one.

1:52:20 - Who asked you to get stuck with any of them? - Is there a Mrs. Cruikshank?

1:52:23 - Yes. - But we're divorced.

1:52:25 No.

1:52:27 Oh.

1:52:31 My mother. She lives in Detroit.

1:52:33 You'd like her. She'd like you too. Come on, give me those stamps.

1:52:37 Not until you prove to me that you're really Brian Cruikshank.

1:52:40 Next week I'll put it on a marriage license. How about that?

1:52:43 Quit stalling. I want some identification now.

1:52:45 - I wouldn't lie on a license. - You can't prove it. You're still trying to...

1:52:49 "Marriage license"?

1:52:52 Did you say "marriage license"?

1:52:54 Don't change the subject. Just give me the stamps.

1:52:57 Oh, I love you, Adam, Alex, Peter, Brian, whatever your name is.

1:53:02 Oh, I love you.

1:53:04 I hope we have a lot of boys.

1:53:06 We can name them all after you.

1:53:08 Well, before we start that, may I have the stamps?