Radio Drama · Old Time Radio Researchers · Mystery & crime · Drama
Whitehall
- Networks
- Mutual (as its archives name them)
- Heard
- 1951–1952
- Episodes
- 88
WHITEHALL 1212
More about it
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951 until September 28, 1952. The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime. Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal. The stories are told from the view of the police who did the hard work in solving the case, and thus it down plays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other, and ran during the same timeframe. The Black Museum was run in the United States on the Mutual…
Episodes, in broadcast order
Where it comes from 2
The archive items its episodes are played from, best first, with each one’s rights as its archive states them. An episode two sets both hold is played from the first.
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Whitehall 1212 - Single Episodes
the Internet Archive states no licence or rights for it.
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WhiteHall_1212
Uploader’s mark: Public domain (Creative Commons dedication): Marked Public domain (Creative Commons dedication) by its uploader at the Internet Archive; the record gives no basis for it.
A set by the Old Time Radio Researchers Group (otrr.org), at the Internet Archive's Old Time Radio collection.
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Radio drama, old-time radio and historic broadcasts from the Internet Archive (its Old Time Radio collection with the Old Time Radio Researchers' sets, WWII Era Audio Recordings, the Pacifica Radio Archives, the Radio Haiti Archive, German radio plays and listeners' uploads), Wikimedia Commons (with the Netherlands Institute for Sound and Vision's broadcasts) and the Library of Congress. Every episode plays from its archive, which this site does not copy; rights are as each archive states them. Nothing here is called public domain on this site's say-so. In the United States, sound recordings first fixed before 15 February 1972 have federal protection under the Music Modernization Act of 2018, for most until 2067 at the latest, so most American radio of the 1930s to the 1950s is not in the public domain there. Each set shows the licence, mark or statement its archive gives, and says whose it is. Horror, crime, war and westerns are for teenage and adult profiles, racist caricature for adults only, and children’s profiles hear what was made for children. More about these archives.