Radio Drama · Listeners' uploads · Drama
Tempestad
- Heard
- 2026
- Episodes
- 30
- Language
- Spanish
Transmisión del sábado 16 de mayo
More about it
- Quimera: Entrevistamos a Santiago, administrador del servidor comunitario y autogestionado Undernet. Conversamos sobre redes federadas, redes coorporativas y otras yerbas.
- Invasao Sonora (Por la Tierra, contra el Capital): Programa desde el territorio en conflicto con el estado Brasilero.
- Repetición de Temática (Ciclos de RadioTeatro) "El Solicitante" de Harold Pinter.
- Música.
Episodes, in broadcast order
Where it comes from 30
The archive items its episodes are played from, best first, with each one’s rights as its archive states them. An episode two sets both hold is played from the first.
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Tempestad 126
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 117
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 125
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 153
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 146
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 158
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 136
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 145
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 128
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 142
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 157
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 130
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 134
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 137
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 141
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 144
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 164
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 113
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 124
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 129
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 133
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 138
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 122
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 149
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 150
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 154
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 167
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 168
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 172
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
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Tempestad 175
Uploader’s mark: Public Domain Mark 1.0: Marked Public Domain Mark 1.0 by its uploader at the Internet Archive; the record gives no basis for it.
Uploaded to the Internet Archive by the person named, outside its radio collections.
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Radio drama, old-time radio and historic broadcasts from the Internet Archive (its Old Time Radio collection with the Old Time Radio Researchers' sets, WWII Era Audio Recordings, the Pacifica Radio Archives, the Radio Haiti Archive, German radio plays and listeners' uploads), Wikimedia Commons (with the Netherlands Institute for Sound and Vision's broadcasts) and the Library of Congress. Every episode plays from its archive, which this site does not copy; rights are as each archive states them. Nothing here is called public domain on this site's say-so. In the United States, sound recordings first fixed before 15 February 1972 have federal protection under the Music Modernization Act of 2018, for most until 2067 at the latest, so most American radio of the 1930s to the 1950s is not in the public domain there. Each set shows the licence, mark or statement its archive gives, and says whose it is. Horror, crime, war and westerns are for teenage and adult profiles, racist caricature for adults only, and children’s profiles hear what was made for children. More about these archives.