Radio Drama · Hörspiele · Drama
Radarkontrolle
- Heard
- 1971
- Episodes
- 1
- Language
- German
Radarkontrolle
More about it
Arnold E. Ott
produziert in: 1971
produziert von: BR
Laufzeit: 32 Minuten
Genre: Krimi
Regie: Heinz-Günter Stamm
Komponist: Konrad Elfers
Erstsendung: 14.10.1971
Inhalt:
Die Frau des Hamburger Grundstückmaklers Dahlberg liegt tot im Ferienapartment in Travemünde. Der Makler hatte Büromitarbeiter Noll zu ihr geschickt, denn sie brauchte dringend ihren Schmuck. Ein unvollendeter Brief und das Foto einer Radar-Kontrolle sind für Kommissar Becker erste Hinweise.
Sprecher:
Herbert Fleischmann
Klaus Höhne
Margot Philipp
Wolfgang Büttner
Joachim Wichmann
Ulrike Hartmann
Daten zu Arnold E. Ott: geboren: 1927
Vita: Arnold E. Ott, Jahrgang 1927, einer der meistgespielten deutschen Krimi-Autoren, veröffentlichte seit dem Hörspiel "Zitronensaft mit Salz" (RB 1959) über 50 Kriminalstücke, zuletzt "Brenners letzter Fall" (DLR Berlin 1994). Ott lebt in Bremen.
Episodes, in broadcast order
Where it comes from 1
The archive items its episodes are played from, best first, with each one’s rights as its archive states them. An episode two sets both hold is played from the first.
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Radarkontrolle (Arnold E. Ott - BR 1971)
the Internet Archive states no licence or rights for it.
From the Internet Archive's German radio collections (Akustische Bibliothek, Radioaufnahmen).
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Radio drama, old-time radio and historic broadcasts from the Internet Archive (its Old Time Radio collection with the Old Time Radio Researchers' sets, WWII Era Audio Recordings, the Pacifica Radio Archives, the Radio Haiti Archive, German radio plays and listeners' uploads), Wikimedia Commons (with the Netherlands Institute for Sound and Vision's broadcasts) and the Library of Congress. Every episode plays from its archive, which this site does not copy; rights are as each archive states them. Nothing here is called public domain on this site's say-so. In the United States, sound recordings first fixed before 15 February 1972 have federal protection under the Music Modernization Act of 2018, for most until 2067 at the latest, so most American radio of the 1930s to the 1950s is not in the public domain there. Each set shows the licence, mark or statement its archive gives, and says whose it is. Horror, crime, war and westerns are for teenage and adult profiles, racist caricature for adults only, and children’s profiles hear what was made for children. More about these archives.