Radio Drama · Listeners' uploads · Drama
November
- Heard
- 2018
- Episodes
- 2
Welcome to the world of Noir. We revisit our friend Buck Barlow, Basset hound and private investigator as he sniffs his way through the underworld of dogs in Murder on Black Velvet. In the second half of our show Bill Clause sings about the frustration of Specifications, and Drake Craterlake, former PI finds that a change of career doesn’t necessarily keep him out of the path of criminals. In the wake of last year’s proposed legislation, the state of Texolina hires Bathroom Enforcers to keep our toilets safe and we listen in on an event in a men’s locker room at a country club.
More about it
Writers for this show are Michael Donnici, Bill Clause, Scott Turner, Mark Naggi and Rozanne Devine. Performers are Bob Baker, Bill Clause, Miranda Collette, Rozanne Devine, Don Foote, Michael Donnici, Mary Gerlt, Katie Hogan, Mark Naggi, Bill Pearce, Scott Turner, and Dane Zeller. Production by Paige Prouse Stallings, Bill Pierce, Don Foote, and Rozanne Devine. Our webmaster is Jim Arndt
Buck Barlow music is: I Knew a Guy by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100199 Artist: http://incompetech.com/
Episodes, in broadcast order
Where it comes from 2
The archive items its episodes are played from, best first, with each one’s rights as its archive states them. An episode two sets both hold is played from the first.
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November 29, 2018
the Internet Archive states no licence or rights for it.
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November 15, 2018
the Internet Archive states no licence or rights for it.
Uploaded to the Internet Archive by the person named, outside its radio collections.
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Radio drama, old-time radio and historic broadcasts from the Internet Archive (its Old Time Radio collection with the Old Time Radio Researchers' sets, WWII Era Audio Recordings, the Pacifica Radio Archives, the Radio Haiti Archive, German radio plays and listeners' uploads), Wikimedia Commons (with the Netherlands Institute for Sound and Vision's broadcasts) and the Library of Congress. Every episode plays from its archive, which this site does not copy; rights are as each archive states them. Nothing here is called public domain on this site's say-so. In the United States, sound recordings first fixed before 15 February 1972 have federal protection under the Music Modernization Act of 2018, for most until 2067 at the latest, so most American radio of the 1930s to the 1950s is not in the public domain there. Each set shows the licence, mark or statement its archive gives, and says whose it is. Horror, crime, war and westerns are for teenage and adult profiles, racist caricature for adults only, and children’s profiles hear what was made for children. More about these archives.