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Kinderüberraschung - Aus dem Leben eines Samenspenders
- Heard
- 2016
- Episodes
- 1
- Language
- German
Kinderüberraschung
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Aus dem Leben eines Samenspenders
Von Renate Maurer
Zwei Frauen suchen per Annonce einen Samenspender, „aber keinen Vater“. Maik, Mitte Zwanzig und Student in Berlin, verhilft den beiden gerne zum Babyglück. Und das ist erst der Anfang.
Er hilft weiteren lesbischen Paaren und Singlefrauen, denen der Zugang zur Samenbank versperrt ist. Er will Gutes tun, verlangt kein Geld. Vertrauen ist alles. Zehn Jahre später ist Maik immer noch Student und hat sieben Kinder mit sechs Frauen gezeugt. Und dann folgt eine „böse“ Kinderüberraschung.
Regie: die Autorin
Mit: Irina Wanka, Philip Scheiner
Ton: Otmar Bergsmann
Produktion: ORF 2016
Länge: 53'29
Renate Maurer, geboren in München, studierte Theaterwissenschaft, Germanistik und Geschichte
Episodes, in broadcast order
Where it comes from 1
The archive items its episodes are played from, best first, with each one’s rights as its archive states them. An episode two sets both hold is played from the first.
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Kinderüberraschung - Aus dem Leben eines Samenspenders
the Internet Archive states no licence or rights for it.
From the Internet Archive's German radio collections (Akustische Bibliothek, Radioaufnahmen).
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Radio drama, old-time radio and historic broadcasts from the Internet Archive (its Old Time Radio collection with the Old Time Radio Researchers' sets, WWII Era Audio Recordings, the Pacifica Radio Archives, the Radio Haiti Archive, German radio plays and listeners' uploads), Wikimedia Commons (with the Netherlands Institute for Sound and Vision's broadcasts) and the Library of Congress. Every episode plays from its archive, which this site does not copy; rights are as each archive states them. Nothing here is called public domain on this site's say-so. In the United States, sound recordings first fixed before 15 February 1972 have federal protection under the Music Modernization Act of 2018, for most until 2067 at the latest, so most American radio of the 1930s to the 1950s is not in the public domain there. Each set shows the licence, mark or statement its archive gives, and says whose it is. Horror, crime, war and westerns are for teenage and adult profiles, racist caricature for adults only, and children’s profiles hear what was made for children. More about these archives.