Radio Drama · Old Time Radio Researchers · Drama
Hello Americans
- Heard
- 1942–1943
- Episodes
- 12
HELLO AMERICANS
More about it
Hello Americans was a 12 episode show Orson Welles made as another contribution to the war effort, and stems in part from his interest in Latin and South American culture. It was no doubt spurred by his time in Brazil working on the movie It's All True. The show is a generally lighthearted affair, and Welles clearly seems to enjoy himself. The first episode in particular, with Carmen Miranda, is a prime example of this. Hello Americans did have some more serious moments, and despite some lapses into melodramatics, most were carried off reasonably well. The show is peppered with numerous editorial insertions, pertaining mainly to racism, although the odd barb against fascism pops up now and again. What is perhaps most worthwhile about the show is its portrayal of Central and South America countries as full of interesting history and people, with little condescension. From wellesnet.com
NOTE: Updated with Version 2 files (05-Jan-2020).
From the Old Time Radio Researchers Group. See "Notes" Section below for more information on the OTRR.
Episodes, in broadcast order
Where it comes from 1
The archive items its episodes are played from, best first, with each one’s rights as its archive states them. An episode two sets both hold is played from the first.
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Hello Americans - Single Episodes
CC BY-NC-SA 3.0: CC BY-NC-SA 3.0, as its uploader states it at the Internet Archive.
A set by the Old Time Radio Researchers Group (otrr.org), at the Internet Archive's Old Time Radio collection.
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Radio drama, old-time radio and historic broadcasts from the Internet Archive (its Old Time Radio collection with the Old Time Radio Researchers' sets, WWII Era Audio Recordings, the Pacifica Radio Archives, the Radio Haiti Archive, German radio plays and listeners' uploads), Wikimedia Commons (with the Netherlands Institute for Sound and Vision's broadcasts) and the Library of Congress. Every episode plays from its archive, which this site does not copy; rights are as each archive states them. Nothing here is called public domain on this site's say-so. In the United States, sound recordings first fixed before 15 February 1972 have federal protection under the Music Modernization Act of 2018, for most until 2067 at the latest, so most American radio of the 1930s to the 1950s is not in the public domain there. Each set shows the licence, mark or statement its archive gives, and says whose it is. Horror, crime, war and westerns are for teenage and adult profiles, racist caricature for adults only, and children’s profiles hear what was made for children. More about these archives.