Radio Drama · Old Time Radio · Mystery & crime

David Harding-Counterspy-Page

Heard
1942–1950
Episodes
33

The early plots on Counterspy were counterespionage against Germany's Gestapo and Japan's Black Dragon while WWII plots focused on more generic counter-espionage plots like those of I was a Communist for the FBI, This is Your FBI and FBI in Peace and War.10 episodes

Episodes, in broadcast order

  1. Washington Woman Spy

    · 23 min

  2. German Spies

    · 23 min

  3. Explosive Dog

    · 23 min

  4. Stolen Car Racket

    · 25 min

  5. Mexican Rancho

    · 23 min

  6. Poison Peddler

    · 22 min

  7. Murmured Million

    · 23 min

  8. Statue Of Death

    · 22 min

  9. Desert Explosion

    · 23 min

  10. Bouncing Bank Robber

    · 22 min

  11. Murdering Messenger

    · 23 min

  12. Cold Blooded Prof 1

    · 23 min

  13. Cold Blooded Prof 2

    · 24 min

  14. Arroganr Arsonist

    · 23 min

  15. Courageous Comeon

    · 22 min

  16. Flatbush Fagin

    · 23 min

  17. Hot Car Killer

    · 23 min

  18. Postal Pirates 1

    · 23 min

  19. Postal Pirates 2

    · 24 min

  20. Visiting Vultures

    · 23 min

  21. Vicious Visitor

    · 23 min

  22. Sweepstakes Murder

    · 23 min

  23. Magic Murder

    · 22 min

  24. Mile High Murders

    · 22 min

  25. Hoodlum s Hero

    · 22 min

  26. Fabulous Formula 1

    · 22 min

  27. Fabulous Formula 2

    · 22 min

  28. Hijacked Country

    · 18 min

  29. Murdered Confessor

    · 21 min

  30. Soaring Saucer

    · 23 min

  31. Crystalline Double C

    · 21 min

  32. David Harding Counter Spy David Harding

    No date given · 21 min

  33. David Harding Counter Spy Tattooed Eye

    No date given · 18 min

Where it comes from 4

The archive items its episodes are played from, best first, with each one’s rights as its archive states them. An episode two sets both hold is played from the first.

  1. David Harding-Counterspy-Page 1

    Old Time Radio · 10 episodes here · archive.org (opens in a new tab)

    Uploader’s mark: Public domain (Creative Commons dedication): Marked Public domain (Creative Commons dedication) by its uploader at the Internet Archive; the record gives no basis for it.

  2. David Harding Counterspy-page 2

    Old Time Radio · 10 episodes here · archive.org (opens in a new tab)

    Uploader’s mark: Public domain (Creative Commons dedication): Marked Public domain (Creative Commons dedication) by its uploader at the Internet Archive; the record gives no basis for it.

  3. David Harding Counterspy-page 3

    Old Time Radio · 10 episodes here · archive.org (opens in a new tab)

    Uploader’s mark: Public domain (Creative Commons dedication): Marked Public domain (Creative Commons dedication) by its uploader at the Internet Archive; the record gives no basis for it.

  4. David Harding Counterspy-page 4

    Old Time Radio · 3 episodes here · archive.org (opens in a new tab)

    Uploader’s mark: Public domain (Creative Commons dedication): Marked Public domain (Creative Commons dedication) by its uploader at the Internet Archive; the record gives no basis for it.

From the Old Time Radio collection at the Internet Archive, uploaded by the collector named.

More Mystery & crime

Radio drama, old-time radio and historic broadcasts from the Internet Archive (its Old Time Radio collection with the Old Time Radio Researchers' sets, WWII Era Audio Recordings, the Pacifica Radio Archives, the Radio Haiti Archive, German radio plays and listeners' uploads), Wikimedia Commons (with the Netherlands Institute for Sound and Vision's broadcasts) and the Library of Congress. Every episode plays from its archive, which this site does not copy; rights are as each archive states them. Nothing here is called public domain on this site's say-so. In the United States, sound recordings first fixed before 15 February 1972 have federal protection under the Music Modernization Act of 2018, for most until 2067 at the latest, so most American radio of the 1930s to the 1950s is not in the public domain there. Each set shows the licence, mark or statement its archive gives, and says whose it is. Horror, crime, war and westerns are for teenage and adult profiles, racist caricature for adults only, and children’s profiles hear what was made for children. More about these archives.