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Talk24 h 28 min

Blind Creations Conference

Backdoor Broadcasting Company

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About

Event Date: 28 - 30 June 2015 Royal Holloway University of London Egham, Surrey TW20 0EX Royal Holloway University of London presents: Blind Creations An International Colloquium on Blindness and the Arts This three-day international…

The talk

  1. What if we tried more?: A proposal for the field of accessibility in cultural spaces 22 min · Audio
  2. Depictions of guide dogs and their owners in literature, visual art and film 21 min · Audio
  3. The innovations of Frank H. Hall 23 min · Audio
  4. Barocco Blindness : music, poetry and philosophy in early-modern France 20 min · Audio
  5. Borges's Aesthetic of Blindness: The Dialectic of the Ideal and the Experiential 24 min · Audio
  6. Colours of Touch: A Graphic Design Experience for Blind People 22 min · Audio
  7. Italian Blind Authors and the perception of their disability in the Early Modern Age 19 min · Audio
  8. The Tactile Comic: A Reading of Philipp Meyer's Life 20 min · Audio
  9. Against the Pollution of the Eye: Jacques Lusseyran's Phenomenology of Pure Inner Vision 1 h 12 min · Audio
  10. How did music change the course of history for the Blind? 22 min · Audio
  11. Touching Text: To The Lighthouse as tactile art in Cardiff Bay 27 min · Audio
  12. Erinna sculpture 13 min · Audio
  13. Memory and the Mind's Eye: Ecphrasis in Il Mambriano of Francesco Cieco da Ferrara 33 min · Audio
  14. An ecological approach to audio description 18 min · Audio
  15. L'émergence d'un nouveau type de personnage(s) aveugle(s) dans la fiction 23 min · Audio
  16. Exploring the role of eTextiles designed by blind and visual impaired users within cultural space 24 min · Audio
  17. Foregrounding the Amanuensis: Dictation, Interdependence, Epistemology 17 min · Audio
  18. Songs, prayers and business: blind people in Spain (15th-18th centuries) 21 min · Audio
  19. The limits and possibilities of audio describing silent film 20 min · Audio
  20. Aesthetic Accessibility and Tactile Images of Works of Art 19 min · Audio
  21. Shape of Content: Exploring Japanese Traditional Design through Touch 16 min · Audio
  22. Art in Everyday Objects: Resistance in the Making 19 min · Audio
  23. An enquiry into passive inclusion and unreachable artworks at the Metropolitan Museum of Art, New York 21 min · Audio
  24. Creativity versus Respectability: A contest between blind aspirations and the values of philanthropic interventionists in Victorian and Edwardian Scotland 25 min · Audio
  25. "Books are asked for by the loudest shouter": the challenges of reading creatively with a limited library 22 min · Audio
  26. Blind Creations Welcome and Introduction 14 min · Audio
  27. Blindness writing: an examination of triple narrative positions in Ved Mehta's The Continent of Blind Culture 21 min · Audio
  28. Art and Blindness: Three Lives Reinvented 20 min · Audio
  29. Tactile Stave Music 24 min · Audio
  30. A History of "Blindness and the Arts" in Japan: Memories and the Power of Touch 40 min · Audio
  31. Blind Self-Portraits 21 min · Audio
  32. Blind Self-Portraits 53 min · Audio
  33. The Sacred Lack of Vision: Blindness of Saints and their Clients in the Later Middle Ages 21 min · Audio
  34. Art Experiences Using Haptices on the Body 22 min · Audio
  35. Blindness or Femininity, that is the question: the young blind girl in The Two Orphans, a popular novel by Adolphe d'Ennery (1887-1889) 14 min · Audio
  36. Staring into the open: Towards a cosmopolitical understanding of blindness, art and society 28 min · Audio
  37. Cecile Douard (1866-1941): Impressions d'une seconde vie 21 min · Audio
  38. Near Poetry, Beyond Explanation: Toward Verbal Descriptions with Inspiration 18 min · Audio
  39. Blind Asylums: Places of Creative Resistance 22 min · Audio
  40. Seeing through Art: Blind Visitors and the Museum Experience 26 min · Audio
  41. Inventive Louis Braille 24 min · Audio
  42. Mis-leadings: Guide Dogs and the Blind in Medieval Culture 23 min · Audio
  43. Prairie Tales: Mary Ingalls and the Invention of a 19th Century Super Crip 35 min · Audio
  44. The life and times of the composer, musician, performer, teacher, Maria-Theresia Von Paradis 12 min · Audio
  45. Blind musicians and the making of epic poetry in Medieval Japan 21 min · Audio
  46. Research WITH: for a world more dense with narratives and sensorialities 25 min · Audio
  47. Viktor Löwenfeld and Tactility 16 min · Audio
  48. RHUL Picture Gallery audio descriptions 50 min · Audio
  49. Including and Empowering the Blind: The Case of Slovenian Museums and Art Galleries 26 min · Audio
  50. Blindness and Limited Narrative Omniscience in Timothy Findley's Not Wanted on the Voyage 19 min · Audio
  51. Corporal workshop to awaken presences at the museum 22 min · Audio
  52. Intersections: Objectification, Visual Impairments and Gender in Contemporary Cinema from China and Hong Kong 21 min · Audio
  53. Visual literacy and the history of the self: an option? 20 min · Audio
  54. An Enlightened Journey: Taha Husayn 19 min · Audio
  55. Talking Books and Censorship 24 min · Audio
  56. Inclusive descriptions of art works at Bristol City Museum and Art Gallery 18 min · Audio
  57. What's in a Name?: The Dangers and Delights of Multimodal Reading 22 min · Audio
  58. "The Blind guiding the Seeing": the 'blind spots' of film history 23 min · Audio
  59. Against Seeing: Jorge Luis Borges' Literary Imagination 23 min · Audio
  60. Multi-sensory books created for and by blind children 15 min · Audio
  61. The representation of blindness in Maeterlinck's theatre play De blinden and Johan van der Keuken's documentary Herman Slobbe: Blind kind II 19 min · Audio
  62. Jacques Lusseyran: Le héros aveugle de la résistance française 1 h 7 min · Audio

Credits and licence

Institution
Backdoor Broadcasting Company
Year
2015
Level
Undergraduate
Source
Internet Archive
Licence
Internet Archive states no licence for it. Internet Archive's terms
Who can watch
Internet Archive gives no rating. Invisible Network shows it to Teens profiles and older, judged from what the source says about it. How courses are placed