Recollection, Hob.XXVIa:26
Music: Joseph Haydn (1732–1809) · Words: Anne Hunter (1742–1821)
The season comes when first
we met,
One press of Sing plays this song on this device (5:09) and stops after the last: the piano and the words come from the score, so a key change or a slower tempo changes no sound file.
The microphone is asked for only when you press its button. What it hears is measured and scored on this device and never leaves it; nothing is kept unless you record and save the file yourself. What is kept, and where.
The words
The season comes when first
we met,
But you return no more,
but you re- turn no more;
Why cannot I the days forget Which time can
ne’er restore, can ne’er restore?
Why cannot I the days forget Which time can
ne’er restore, can ne’er restore?
Oh! days too fair, too bright to last,
Are you indeed for ever past?
Oh! days
too fair, too bright to last,
Are you indeed for ever past?
Oh! days too fair, too bright to last,
Are you indeed for ever past, are you indeed
for ever past, are you indeed
ever past?
The fleeting shadows of de light
In memory I trace,
in memory I trace
In fancy stop their rapidflight And all the
past replace, the past replace.
In fancy stop their rapidflight,
And all the past replace, the past replace.
But ah! I wake to endless woes, And tears the
fading visions close.
But ah!
I wake to endless woes,
And tears the fading visions close.
But ah! I wake to endless woes
And tears the fading visions close,
and tears the fading visions close,
are tears the fadvisions close.
About this song
- Music
- Joseph Haydn (1732–1809) (dates as OpenScore states them)
- Words
- Anne Hunter (1742–1821) (dates as LiederNet Archive states them)
- Language
- English, as its source states it
- First published
- in or before 1886, as IMSLP states it
- Length
- 5:09
- Its source files it as
- 10 Canzonets
- The score
- OpenScore Lieder Corpus; CC0 1.0, as its source states it. OpenScore Lieder Corpus (CC0)
- Offered in
- the United States, the European Union, Iceland, Liechtenstein and Norway, Spain, France, the United Kingdom, Japan, the Republic of Korea, Canada, Australia, Mexico, Jamaica, Colombia, India, China, Taiwan, Hong Kong, Singapore, the Philippines, Indonesia, Viet Nam, Thailand, Malaysia, Russia, Ukraine, Türkiye, Israel, Saudi Arabia, the United Arab Emirates, Nigeria, South Africa, Kenya, Brazil, Chile, Peru, Switzerland, New Zealand, Pakistan, Nepal, Sri Lanka, Kazakhstan, Uzbekistan, Myanmar, Morocco, Iraq, Sudan, Yemen and Syria, Ethiopia, Tanzania, Uganda, Malawi and Zambia, Ghana, Mozambique, Angola, Madagascar, Venezuela
- Not offered in
- Egypt, Argentina, Bangladesh, Algeria, the Democratic Republic of the Congo, the member states of the Bangui Agreement (OAPI), Iran, Afghanistan and North Korea, and wherever the site has not read the law
Songs to sing here are made from public-domain scores: the OpenScore Lieder Corpus (CC0), the Mutopia Project (each score's licence as Mutopia states it) and the scores in Japanese Wikipedia's articles (CC BY-SA 4.0, by each article's contributors); dates and first publications as IMSLP, the LiederNet Archive, Mutopia and Wikidata state them. Karaoke videos play in YouTube's player; live channels from the iptv-org database on their own pages; stations from Radio Browser. The piano is the Salamander Grand Piano by Alexander Holm (CC BY 3.0). “K-pop” and “anime songs” are said only where a source says so. Where songs from scores are offered.