5.1: Repetition, Variation, and Contrast

Music Appreciation · LibreTexts

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    5.1: Repetition, Variation, and Contrast

    As listeners we recognize the repetition musical ideas. When musicians structure a form they utilize repetition of melodies, rhythms, chord progressions, and metric cycles to create organization units. Small musical ideas that are developed and repeated throughout a piece are called motives. A highly recognizable example of a motive used in Western Art Music is the “three-shorts and a long” motive that is heard at the beginning of Beethoven’s Symphony No. 5. If a motive is repeated continuously it is referred to as an ostinato. Themes are generally longer (or more substantial) than motives. Themes are melodies or rhythms that are repeated or varied throughout a musical work.


    This page titled 5.1: Repetition, Variation, and Contrast was last modified on Sat, 13 Mar 2021 00:01:46 GMT and is shared under a CC BY-NC-ND 4.0 license and was authored, remixed, and/or curated by Todd Mueller, Elizabeth Whittenburg Ozment, Irina Escalante-Chernova, Marc Gilley, Catherine Kilroe-Smith, and Rachael Fischer (GALILEO Open Learning Materials) via source content that was edited to the style and standards of the LibreTexts platform.