Grimm Art Appreciation (IVC ARTH 20)

by Amy Grimm

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This is a 3 unit ARTH 20 Art Appreciation Textbook for Irvine Valley College to be taught 8 and 16 week options.

Description from LibreTexts.

Publisher
Irvine Valley College
Subjects
Humanities
Licence
CC BY-SA 4.0, as LibreTexts states it
Who can read
Tweens profiles and older, judged from its title and subjects

Contents

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  1. Front Matter
  2. TitlePage
  3. InfoPage
  4. Table of Contents
  5. Licensing
  6. 1: Art and the Artist
  7. 1.1: Introduction
  8. 1.2: INTRODUCTION
  9. 1.3: What is Visual Art?
  10. 1.4: AESTHETICS
  11. 1.5: Who is Considered an Artist? What Does it Mean to be an Artist?
  12. 1.6: EXPRESSION (PHILOSOPHICAL, POLITICAL, RELIGIOUS, PERSONAL)
  13. 1.7: The Role of the Viewer
  14. 1.8: UNIFICATION/EXCLUSION
  15. 1.9: Why do We Make Art?
  16. 1.10: COMMUNICATION
  17. 1.11: CELEBRATION AND COMMEMORATION
  18. 1.12: WORSHIP
  19. 1.13: INFORMATION, EDUCATION, AND INSPIRATION
  20. 1.14: Concepts Explored in Later Chapters
  21. 1.15: PROTEST AND SHOCK
  22. 1.16: What is Art? (Summary)
  23. 2: The Language of Art
  24. 2.1: Introduction
  25. 2.2: INTRODUCTION
  26. 2.3: Art Specific Vocabulary
  27. 2.4: TYPES OF ART
  28. 2.5: STYLES OF ART
  29. 2.6: Art Forms
  30. 2.7: Form and Composition
  31. 2.8: Elements
  32. 2.9: Principles of Design
  33. 2.10: SOCIO-CULTURAL CONTEXTS
  34. 2.11: SYMBOLISM AND ICONOGRAPHY
  35. 2.12: FORMAL OR CRITICAL ANALYSIS
  36. 2.13: Before You Move On
  37. 2.14: BEFORE YOU MOVE ON
  38. 2.15: Key Terms
  39. 3: Drawing — Art Media and Techniques
  40. 3.1: Drawing
  41. 3.2: Traditional Drawing Media
  42. 3.3: Modern and Alternative Media
  43. 3.4: Drawing Surfaces
  44. 3.5: Tools and Accessories for the Artist's Toolbox
  45. 3.6: Techniques and Applications in Drawing
  46. 3.7: Health and Safety in the Drawing Studio
  47. 3.8: Observational Drawing Defined
  48. 3.9: Learning How to See
  49. 3.10: Arrangement of Your Drawing Composition
  50. 3.11: The Visual Element of Line
  51. 3.12: Exploring the Nuances of Line in Art- Line Quality, Direction, and Characteristics
  52. 3.13: The Role of Contour line in Basic Drawing
  53. 3.14: Techniques in Mark Making
  54. 3.15: The Visual Element of Value
  55. 3.16: The Nature of Light and Visual Perception
  56. 3.17: Concepts in Value Drawing
  57. 3.18: Selecting the Right Tools
  58. 3.19: Value Shading Techniques
  59. 3.20: The Visual Element of Shape
  60. 3.21: Types of Shapes
  61. 3.22: Simplification of Complex Objects into Basic Shapes
  62. 3.23: Techniques for Drawing Shape
  63. 3.24: The Relationship of Shape in Composition
  64. 3.25: Example Artists and Artworks
  65. 3.26: The Visual Element of Space
  66. 3.27: Techniques for Creating Spatial Depth in Drawing
  67. 3.28: Positive and Negative Space
  68. 3.29: Artist's Exploration of Space
  69. 4: Painting — Art Media and Techniques
  70. 4.1: Painting
  71. 5: Printmaking — Art Media and Techniques
  72. 5.1: Printmaking
  73. 6: Sculpture — Art Media and Techniques
  74. 6.1: Sculpture and Installation
  75. 6.2: Utility and Value of Materials
  76. 6.3: Sculptures
  77. 6.4: Installation and Sculpture
  78. 7: Architecture — Art Media and Techniques
  79. 7.1: INTRODUCTION
  80. 7.2: Architecture
  81. 7.3: Modern Architecture
  82. 7.4: RESIDENTIAL NEEDS
  83. 7.5: COMMUNITY AND GOVERNMENT
  84. 7.6: COMMERCE
  85. 7.7: WORSHIP
  86. 7.8: BEFORE YOU MOVE ON
  87. 7.9: Architecture for the 21st Century
  88. 8: New Media — Photography, Graphic Design, Performance, Installation, and Digital Art
  89. 8.1: Camera Arts
  90. 8.2: Graphic Design
  91. 8.3: Photography (Since 1826)
  92. 8.4: Photography
  93. 8.5: Digital Art
  94. 9: Art of Asia
  95. 9.1: Shanghai School of Art (Late 19th Century)
  96. 9.2: Edo Period (1615 – 1868)
  97. 9.3: Nihonga and Yoga Style
  98. 9.4: The Muromachi Period
  99. 9.5: The Momoyama Period
  100. 9.6: The Edo Period
  101. 9.7: The Modern Period
  102. 9.8: The Middle Kingdom
  103. 9.9: The Neolithic Age
  104. 9.10: The Bronze Age
  105. 9.11: The Qin Dynasty
  106. 9.12: The Han Dynasty
  107. 9.13: The Six Dynasties Period
  108. 9.14: The Tang Dynasty
  109. 9.15: The Song Dynasty
  110. 9.16: Korea
  111. 9.17: India
  112. 9.18: Jain Art
  113. 9.19: Hindu Art
  114. 9.20: Sultanate of Delhi
  115. 9.21: Vijayanagar Empire
  116. 9.22: The Nayak Dynasty
  117. 9.23: The Mughal Period
  118. 9.24: Contemporary Indian Art
  119. 9.25: Thai Art
  120. 9.26: Burmese Art
  121. 9.27: Vietnamese Art
  122. 9.28: Indonesian Art
  123. 10: African, Oceanic, and Indigenous American Art
  124. 10.1: Modern to Postmodern
  125. 10.2: Religious Art in Africa
  126. 10.3: African Clothmaking
  127. 10.4: Other African Art
  128. 10.5: Contemporary Art
  129. 10.6: The Rise of Pacific Cultures
  130. 10.7: Australia
  131. 10.8: Wood Carving in Oceania
  132. 10.9: Polynesia
  133. 10.10: Art of New Zealand
  134. 10.11: Hawaiian Art
  135. 10.12: Modern Oceanic Art
  136. 11: Ancient Art and the Mediterranean
  137. 11.1: Prehistory
  138. 11.2: Mesopotamia
  139. 11.3: Ancient Egypt
  140. 11.4: Ancient Aegean
  141. 11.5: Ancient Greece
  142. 11.6: Ancient Rome
  143. 12: Early Christian, Byzantine, Islamic, and Medieval Art
  144. 12.1: Early Christianity and Byzantine Art
  145. 12.2: Early Islamic Art and Architecture
  146. 12.3: Medieval Europe and the Romanesque
  147. 12.4: Gothic Art and Architecture
  148. 13: The Renaissance
  149. 13.1: Early Renaissance
  150. 13.2: High Renaissance
  151. 13.3: Northern Renaissance and Mannerism
  152. 13.4: Baroque Painting
  153. 13.5: Baroque Architecture
  154. 13.6: Golden Age of Dutch Painting
  155. 14: Baroque and Rococo
  156. 14.1: The Rococo and Neoclassicism
  157. 14.2: 18th and 19th Century Art
  158. 14.3: Romanticism
  159. 14.4: Realism
  160. 14.5: Manet and the Impressionists
  161. 14.6: Post-Impressionism
  162. 15: 18th- and 19th-Century Art- Realism to Impressionism
  163. 15.1: Romanticism (1780-1850)
  164. 15.2: Realism (1848 – 1870)
  165. 15.3: Shanghai School of Art (Late 19th Century)
  166. 15.4: Hudson River School (1850s – 1880)
  167. 15.5: Impressionism (1860 – 1890)
  168. 15.6: Post-Impressionism (1885 – 1905)
  169. 15.7: Art Nouveau (1890 – 1914)
  170. 15.8: Early 20th Century in Europe
  171. 15.9: Modernism in America
  172. 15.10: Abstract Expressionism
  173. 16: 20th and 21st Century Art Movements
  174. 16.1: Overview
  175. 16.2: American Modernism (1900 – 1930s)
  176. 16.3: Fauvism (1900 – 1935)
  177. 16.4: Expressionism (1905 – 1930)
  178. 16.5: Cubism (1907 – 1914)
  179. 16.6: Dada (1916 – 1930)
  180. 16.7: The Bauhaus (1919-1933)
  181. 16.8: Harlem Renaissance (1920 – 1930)
  182. 16.9: Canadian Group of Seven (1920 – 1933)
  183. 16.10: Conclusion and Contrast
  184. 16.11: 20th Century Architecture
  185. 16.12: Mexican Murals and Social Art
  186. 16.13: Works Progress Administration Murals
  187. 16.14: Surrealism
  188. 16.15: Contemporary Figurative
  189. 16.16: Conclusion and Contrast (1)
  190. 16.17: Chapter 12 Attributions
  191. 16.18: Chapter 13 Attributions
  192. Back Matter
  193. Index
  194. Glossary
  195. Detailed Licensing