Opening the book…
| Words (or words that have the same definition) | The definition is case sensitive | (Optional) Image to display with the definition [Not displayed in Glossary, only in pop-up on pages] | (Optional) Caption for Image | (Optional) External or Internal Link | (Optional) Source for Definition |
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| (Eg. "Genetic, Hereditary, DNA ...") | (Eg. "Relating to genes or heredity") | ![]() |
The infamous double helix | https://bio.libretexts.org/ | CC-BY-SA; Delmar Larsen |
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Word(s) |
Definition |
Image | Caption | Link | Source |
|---|---|---|---|---|---|
| Act | A major structural division of a play, often marking shifts in time, place, or dramatic action. | ||||
| Actor | A performer who embodies a character in a theatrical production using voice, body, imagination, and emotional engagement. | ||||
| Aesthetics | The study of beauty, art, and taste; in theatre, the principles that guide how performances look, sound, and feel. | ||||
| Amphitheatre | A large, open-air performance space used in ancient Greece and Rome, designed for public gatherings and dramatic performances. | ||||
| Audience | The people who witness a theatrical performance; their attention and responses are essential to the live event. | ||||
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Bhava |
In Indian performance theory, bhava refers to the emotional states or feelings portrayed by a performer and experienced by a character within a dramatic work. |
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| Blocking | The planned movement and positioning of actors onstage, developed to support storytelling and visual composition. | ||||
| Catharsis | A concept from Aristotle describing the emotional release or purification experienced by audiences through tragedy. | ||||
| Character | A fictional person or figure portrayed by an actor in a play. | ||||
| Collaboration | The shared creative process through which theatre artists work together to produce a unified performance. | ||||
| Costume | Clothing and accessories worn by performers that communicate character, time period, culture, and social identity. | ||||
| Costume Design | The art of designing and selecting costumes to support storytelling and character development. | ||||
| Design |
The intentional shaping of visual, auditory, and spatial elements, such as scenery, lighting, costumes, and sound, to support performance. |
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| Director | The artist responsible for interpreting the script and coordinating the artistic vision of a production. | ||||
| Dramaturg | A theatre artist who supports productions through research, script analysis, historical context, and audience engagement. | ||||
| Ensemble | A group of performers who work collaboratively, emphasizing collective storytelling over individual roles. | ||||
| Gesture | A physical movement or action that communicates meaning, emotion, or intention. | ||||
| Lighting Design | The artistic use of light to control visibility, mood, focus, and atmosphere in performance. | ||||
| Mask | A face covering used in many global theatre traditions to represent characters, spirits, or archetypes. | ||||
| Mēchanē | A crane-like device used in ancient Greek theatre to lower gods onto the stage, giving rise to the term deus ex machina. | ||||
| Mime | A performance form that communicates story and emotion without spoken language. | ||||
| Modernism | An artistic movement emphasizing experimentation, abstraction, and new forms, influential in twentieth-century theatre design. | ||||
| Nāṭyaśāstra | An ancient Indian treatise on performance detailing acting, movement, music, and design principles. | ||||
| Nōh Theatre | A classical Japanese theatre form characterized by masks, stylized movement, music, and spiritual themes. | ||||
| Pageant Wagon | A mobile stage used in medieval Europe to present biblical plays in public spaces. | ||||
| Performance | The live presentation of a theatrical work before an audience. | ||||
| Play | A written dramatic work intended for performance. | ||||
| Playwright | The author of a play. | ||||
| Production | The realization of a script through rehearsal, design, and performance. | ||||
| Rehearsal | The structured process through which a production is developed and refined. | ||||
| Ritual | A symbolic, repeated action often connected to religious or cultural traditions. | ||||
| Scenic Design (Set Design) | The creation of the physical environment in which a play’s action takes place. | ||||
| Script | The written text of a play, including dialogue and stage directions. | ||||
| Sound Design | The creation and integration of music, effects, and ambient sound to support storytelling. | ||||
| Stage Manager | The person responsible for organizing rehearsals, maintaining records, and coordinating performances. | ||||
| Theatre | A live art form in which performers present stories to an audience through embodied action in shared space. | ||||
| Theatricality | An awareness of performance as performance; the qualities that distinguish theatre from everyday life. | ||||
| Tragedy | A dramatic genre focusing on serious themes, moral conflict, and human suffering. | ||||
| World-Building | The process of creating a coherent theatrical environment that supports narrative and meaning. |
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