Intermediate Drawing: Techniques and Content

by Melissa Delaney

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Drawing, a timeless and fundamental part of the visual arts, has transcended time and technology, from ancient cave paintings to modern digital art. It serves as a universal language, enabling artists to communicate, solve problems, and express themselves across diverse cultures and eras. Delving into the history and evolution of drawing not only deepens our understanding but also fosters a sense of connection to the rich artistic heritage that continues to influence art today.

Description from LibreTexts.

Publisher
Coalinga College
Subjects
Humanities
Licence
CC BY-SA 4.0, as LibreTexts states it
Who can read
Teens profiles and older, judged from its title and subjects

Contents

LibreTexts writes equations in TeX, and here they show as TeX; the PDF has them typeset.

  1. Front Matter
  2. Licensing
  3. TitlePage
  4. InfoPage
  5. Preface
  6. Table of Contents
  7. Licensing
  8. 1: Drawing Fundamentals
  9. 1.1: Drawing Media and Materials
  10. 1.2: Charcoal Drawing
  11. 1.3: Tone
  12. 1.4: Pen and Ink and Wash Drawing
  13. 1.5: Compositional Concepts
  14. 1.6: Composition
  15. 1.7: Essential Techniques for Artistic Composition
  16. 1.8: The Grid
  17. 1.9: Techniques for Controlling Value
  18. 1.10: Practical Assessments
  19. 2: The Art Critique
  20. 2.1: Defining Critique and Criticism
  21. 2.2: Purposes and Benefits of the Classroom Critique
  22. 2.3: The Process of Evaluating Art
  23. 2.4: Communicating Feedback Effectively
  24. 2.5: Methods for Evaluating Art
  25. 2.6: Conclusion
  26. 2.7: Practical Exercises
  27. 3: Art Movements and the Influence of Drawing
  28. 3.1: A Brief Introduction to the History of Drawing
  29. 3.2: 20th Century Modern Art Movements- Cubism
  30. 3.3: 20th Century Modern Art Movements - Surrealism
  31. 3.4: Contemporary Directions in Drawing
  32. 4: Creating the Illusion of Space
  33. 4.1: Still Life
  34. 4.2: Space in Visual Art
  35. 4.3: Positive and Negative Shapes
  36. 4.4: Strategic Use of Designing Elements
  37. 4.5: Composition Design Principles of Space
  38. 4.6: Creating the Illusion of Space
  39. 4.7: Conclusion
  40. 4.8: Practical Assessments
  41. 5: Perspective and Techniques
  42. 5.1: Perspective
  43. 5.2: Key Aspects of Perspective
  44. 5.3: Development of Linear Perspective
  45. 5.4: Sighting
  46. 5.5: One-Point Perspective
  47. 5.6: Drawing Interior Spaces and Simple Structures
  48. 5.7: Two-Point Perspective
  49. 5.8: Three-Point Perspective
  50. 5.9: Challenges and Solutions in Linear Perspective
  51. 5.10: Conclusion
  52. 5.11: Practical Assessments
  53. 6: Atmospheric Perspective
  54. 6.1: Atmospheric Perspective
  55. 6.2: Key Concepts- Color Modulation, Value Changes, and Reduction in Detail
  56. 6.3: Visual Characteristics of Atmospheric Perspective
  57. 6.4: Understanding Atmospheric Perspective
  58. 6.5: Conclusion
  59. 6.6: Practical Assessments
  60. 7: Developing a Unified Body of Work
  61. 7.1: Works in a Series
  62. 7.2: Purposes and Functions of Art
  63. 7.3: Themes of Art
  64. 7.4: Landscape
  65. 7.5: Portraiture
  66. 7.6: Planning a Series of Drawings
  67. 7.7: Execution Strategies
  68. 7.8: Reflection and Evolution
  69. 7.9: Conclusion
  70. 7.10: Practical Assessments
  71. Back Matter
  72. Index
  73. Glossary
  74. Detailed Licensing