Opening the book…
- 1.3: Mexican Muralism
- 1.3.1: Mexican Muralism- Los Tres Grandes David Alfaro Siqueiros, Diego Rivera, and José Clemente Orozco
- 1.3.2: Diego Rivera
- 1.3.2.1: Diego Rivera, first and second floor murals of the Secretaría de Educación Pública
- 1.3.2.2: Diego Rivera, Stairwell and Third Floor “Court of Labor” at the SEP
- 1.3.2.3: The History of Mexico- Diego Rivera’s Murals at the National Palace
- 1.3.2.4: Sugar Cane
- 1.3.2.5: Man at the Crossroads
- 1.3.2.6: Man Controller of the Universe
- 1.3.2.7: Detroit Industry Murals
- 1.3.2.8: Calla Lilly Vendor (Vendedora de Alcatraces)
- 1.3.2.9: Dream of a Sunday Afternoon in Alameda Central Park
- 1.3.3: José Clemente Orozco, Dive Bomber and Tank
- 1.4: Surrealism
- 1.4.1: Frida Kahlo
- 1.4.1.1: Frida Kahlo, introduction
- 1.4.1.2: Frieda and Diego Rivera
- 1.4.1.3: The Two Fridas (Las dos Fridas)
- 1.4.2: Rosa Rolanda, Self-Portrait
- 1.4.3: Wifredo Lam
- 1.4.3.1: The Jungle
- 1.4.3.2: The Eternal Presence
- 1.4.4: Hector Hyppolite, Ogou Feray also known as Ogoun Ferraille by DR. TAMARA DÍAZ CALCAÑO
- 1.5: Constructivism
- 1.5.1: Geometric Abstraction in South America, an introduction
- 1.5.2: Joaquín Torres-García
- 1.5.2.1: Composition
- 1.5.2.2: Inverted America
- 1.5.3: Lygia Clark, Bicho
- 1.5.4: Breaking the Frame – the Concrete Art Movement
- 1.5.5: Painting in an Industrial Age – the Concrete Art Movement
- 1.5.6: The Challenge of a Straight Line – the Concrete Art Movement
- 1.5.7: Rhod Rothfuss, Yellow Quadrangle
This page titled 1: Latin American Modernism was last modified on Fri, 24 Feb 2023 23:23:25 GMT and is shared under a CC BY-NC-SA 4.0 license and was authored, remixed, and/or curated by Smarthistory.
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