Music on the Move

by Danielle Fosler-Lussier

Read here Read at LibreTextsPDF

Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels—with or without its makers—including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music.

Description from LibreTexts.

Publisher
The Ohio State University
Subjects
Humanities, Music
Licence
CC BY-NC 4.0, as LibreTexts states it. Non-commercial use only.
Who can read
Tweens profiles and older, judged from its title and subjects

Contents

LibreTexts writes equations in TeX, and here they show as TeX; the PDF has them typeset.

  1. Front Matter
  2. TitlePage
  3. InfoPage
  4. Table of Contents
  5. Licensing
  6. Preface
  7. Media Chronology
  8. Licensing
  9. Introduction
  10. Unit 1: Migration
  11. 1.1: Introduction to Migration
  12. 1.2: Colonialism in Indonesia
  13. 1.3: The Romani Diaspora in Europe
  14. 1.4: The African Diaspora in the United States
  15. Unit 2: Mediation
  16. 2.1: Introduction to Mediation
  17. 2.2: Sound Recording and the Mediation of Music
  18. 2.3: Music and Media in the Service of the State
  19. Unit 3: Mashup
  20. 3.1: Introduction to Mashup
  21. 3.2: Composing the Mediated Self
  22. 3.3: Copyright, Surveillance, and the Ownership of Music
  23. 3.4: Localizations
  24. 3.5: Conclusion
  25. Back Matter
  26. Notes
  27. Selected Bibliography
  28. Index
  29. References
  30. Detailed Licensing
  31. Detailed Licensing