SmartHistory of Art XIb - North America 1500 to 1900

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The Smart History of Art in what became the United States and Canada

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Publisher
Smarthistory
Subjects
Humanities, Art
Licence
CC BY-NC-SA 4.0, as LibreTexts states it. Non-commercial use only.
Who can read
Tweens profiles and older, judged from its title and subjects

Contents

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  1. Front Matter
  2. TitlePage
  3. InfoPage
  4. Table of Contents
  5. Licensing
  6. 1: Native North American art, c. 1500 – today
  7. 1.1: Terms and Issues in Native American Art
  8. 1.2: About geography and chronological periods in Native American art
  9. 1.3: East
  10. 1.3.1: Global trade and an 18th-century Anishinaabe outfit
  11. 1.3.2: Anishinaabe shoulder bag
  12. 1.3.3: The bandolier bag
  13. 1.3.4: Bandolier Bag
  14. 1.3.5: Codex Canadensis
  15. 1.4: West
  16. 1.4.1: Juana Basilia Sitmelelene, Presentation Basket (Chumash)
  17. 1.4.2: Bear Claw Necklace (Pawnee)
  18. 1.4.3: Eastern Shoshone- Hide Painting of the Sun Dance, attributed to Cotsiogo (Cadzi Cody)
  19. 1.4.4: Feathered war bonnet
  20. 1.4.5: Headdress (Cheyenne or Lakota)
  21. 1.4.6: Paukeigope (Kiowa), Cradleboard
  22. 1.4.7: Mató Nájin/Standing Bear (Minneconjou Lakota/Teton Sioux), Battle of Little Bighorn
  23. 1.4.8: War Shirt (Upper Missouri River)
  24. 1.4.9: Nellie Two Bear Gates, Suitcase
  25. 1.4.10: Henry Oscar One Bull, Custer’s War
  26. 1.4.11: Carrie Bethel (Mono Lake Paiute), Basket bowl
  27. 1.4.12: Allan Houser (Chiricahua Apache), Earth Song
  28. 1.4.13: Brummett Echohawk (Pawnee), An Island of Redbuds on the Cimarron
  29. 1.5: Southwest
  30. 1.5.1: Pueblo architecture and its relationship to place
  31. 1.5.2: Mission Church, San Esteban del Rey, Acoma Pueblo
  32. 1.5.3: Acoma polychrome water jar
  33. 1.5.4: Hopi- White Ogre Tihu (Katsina Figure)
  34. 1.5.5: Nampeyo (Hopi-Tewa), polychrome jar
  35. 1.5.6: Puebloan- Maria Martinez, Black-on-black ceramic vessel
  36. 1.5.7: Julian Martinez, Buffalo Dancers
  37. 1.5.8: Awa Tsireh (Puebloan), Pottery Makers
  38. 1.5.9: The pueblo modernism of Ma Pe Wi
  39. 1.6: Northwest coast
  40. 1.6.1: Tsimshian shaman’s rattle
  41. 1.6.2: Ceremonial belt (Kwakwaka’wakw)
  42. 1.6.3: Transformation masks
  43. 1.6.4: North Wind Mask
  44. 1.6.5: Arctic clothing
  45. 1.6.6: Haida totem pole, from Old Kasaan
  46. 1.6.7: Haida potlatch pole
  47. 1.6.8: Bentwood Boxes of the Northwest Coast peoples
  48. 1.6.9: Tlingit mortuary and memorial totem poles
  49. 1.6.10: Tlingit Proud Raven totem pole, Saxman Totem Park
  50. 1.6.11: Tlingit Oyster Man totem pole, Saxman Totem Park
  51. 1.6.12: Dorica Jackson, Diving Whale Chilkat Robe
  52. 1.6.13: Clarissa Rizal (Tlingit), Resilience Robe
  53. 1.6.14: Northwest Coast Basketry—Woven Traditions
  54. 1.7: Contemporary art
  55. 1.7.1: Jaune Quick-to-See Smith, Trade (Gifts for Trading Land with White People)
  56. 1.7.2: Wendy Red Star, 1880 Crow Peace Delegation
  57. 1.8: Contemporary Native American Architecture
  58. 2: Colonial period
  59. 2.1: Theodore de Bry’s Collected travels in the east Indies and west Indies
  60. 2.2: Portraits of John and Elizabeth Freake (and their baby)
  61. 2.3: Puritan court cupboard
  62. 2.4: African Burial Ground, New York City
  63. 2.5: John Smibert, The Bermuda Group
  64. 2.6: Gerardus Duyckinck I (attributed), Six portraits of the Levy-Franks family, c. 1735
  65. 2.7: Silver sugar bowl
  66. 2.8: Benjamin West
  67. 2.8.1: Benjamin West, The Death of General Wolfe
  68. 2.8.2: Benjamin West, Penn’s Treaty with the Indians
  69. 2.9: John Singleton Copley
  70. 2.9.1: John Singleton Copley, A Boy with a Flying Squirrel (Henry Pelham)
  71. 2.9.2: John Singleton Copley, Portrait of Mr. and Mrs. Thomas Mifflin (Sarah Morris)
  72. 2.9.3: John Singleton Copley, Paul Revere
  73. 2.9.4: John Singleton Copley, The Copley Family
  74. 2.9.5: Watson and the Shark
  75. 3: Early Republic
  76. 3.1: John Trumbull, The Declaration of Independence
  77. 3.2: Jean-Antoine Houdon, George Washington
  78. 3.3: Gilbert Stuart
  79. 3.3.1: Gilbert Stuart, The Skater
  80. 3.3.2: Lansdowne Portrait
  81. 3.4: Thomas Jefferson
  82. 3.4.1: Monticello
  83. 3.4.2: Rotunda, University of Virginia
  84. 3.5: Charles Willson Peale
  85. 3.5.1: An African Muslim among the founding fathers, Charles Willson Peale’s Yarrow Mamout
  86. 3.5.2: Staircase Group (Portrait of Raphaelle Peale and Titian Ramsay Peale)
  87. 3.5.3: The Artist in His Museum
  88. 3.6: John Vanderlyn, Ariadne Asleep on the Island of Naxos
  89. 3.7: Thomas Birch
  90. 3.7.1: Perry's Victory on Lake Erie
  91. 3.7.2: Fairmount Water Works
  92. 4: United States in the 19th century
  93. 4.1: Beginner's guide—American art in context
  94. 4.1.1: The Mexican-American War- 19th-century American art in context
  95. 4.1.2: John Brown’s “tragic prelude” to the U.S. Civil War
  96. 4.1.3: Nast and Reconstruction, understanding a political cartoon
  97. 4.1.4: Nativism, immigration, and the Know-Nothing party
  98. 4.2: The 1893 Chicago World's Fair
  99. 4.2.1: The World’s Columbian Exposition- Introduction
  100. 4.2.2: The White City and fairgrounds
  101. 4.2.3: The Midway
  102. 4.3: Romanticism
  103. 4.3.1: Washington Allston, Elijah in the Desert
  104. 4.3.2: Thomas Cole
  105. 4.3.2.1: Expulsion from the Garden of Eden
  106. 4.3.2.2: The Oxbow
  107. 4.3.2.3: Thomas Cole, The Architect's Dream
  108. 4.3.2.4: The Hunter's Return
  109. 4.3.3: Hicks’s The Peaceable Kingdom as Pennsylvania parable
  110. 4.3.4: George Catlin, The White Cloud, Head Chief of the Iowas
  111. 4.3.5: Emanuel Gottlieb Leutze
  112. 4.3.5.1: Washington Crossing the Delaware
  113. 4.3.5.2: Westward the Course of Empire Takes Its Way
  114. 4.3.6: Rothermel, De Soto Raising the Cross on the Banks of the Mississippi
  115. 4.3.7: Jasper Francis Cropsey, Mount Jefferson, Pinkham Notch, White Mountains
  116. 4.3.8: Frederic Edwin Church
  117. 4.3.8.1: Niagara and Heart of the Andes
  118. 4.3.8.2: Cotopaxi
  119. 4.3.8.3: The Iceberg
  120. 4.3.9: Fitz Henry Lane, Owl’s Head, Penobscot Bay, Maine
  121. 4.3.10: Albert Bierstadt, Hetch Hetchy Valley, California
  122. 4.3.11: Thomas Moran, Grand Canyon of the Yellowstone
  123. 4.4: The U.S. Civil War in Art
  124. 4.4.1: Introduction to the U.S. Civil War in Art
  125. 4.4.2: “The Immediate Cause of the Civil War,” an introduction
  126. 4.4.3: The problem of picturing slavery
  127. 4.4.4: Michelle Browder, Mothers of Gynecology
  128. 4.4.5: Literacy and slavery- David Drake, Double-handled jug
  129. 4.4.6: Images in a divided world
  130. 4.4.7: Imagining the West, territorial expansion, and the politics of slavery
  131. 4.4.8: Memory and commemoration of the U.S. Civil War, an introduction
  132. 4.4.9: Experiences of the U.S. Civil War, an introduction
  133. 4.4.10: Refugees, prisoners, and displacement
  134. 4.4.11: Homes and families
  135. 4.5: Realism
  136. 4.5.1: Francis Guy, Winter Scene in Brooklyn
  137. 4.5.2: John Wesley Jarvis, Black Hawk and His Son Whirling Thunder
  138. 4.5.3: William Sidney Mount, Bargaining for a Horse
  139. 4.5.4: John James Audubon, The Wild Turkey
  140. 4.5.5: Richard Caton Woodville, War News from Mexico
  141. 4.5.6: George Caleb Bingham, Country Politician
  142. 4.5.7: George Caleb Bingham, The County Election
  143. 4.5.8: Frederic Church, The Natural Bridge, Virginia
  144. 4.5.9: Blythe, Justice
  145. 4.5.10: Thomas Hovenden, The Last Moments of John Brown
  146. 4.5.11: Eastman Johnson, A Ride for Liberty — The Fugitive Slaves
  147. 4.5.12: Lilly Martin Spencer, The Home of the Red, White, and Blue
  148. 4.5.13: Samuel Colman, Jr., Ships Unloading, New York
  149. 4.5.14: Thomas Eakins
  150. 4.5.14.1: The Champion Single Sculls (Max Schmitt in a Single Scull)
  151. 4.5.14.2: The Gross Clinic with Timothy Rub
  152. 4.5.14.3: The Gross Clinic
  153. 4.5.15: Winslow Homer
  154. 4.5.15.1: The U.S. Civil War, sharpshooters and Winslow Homer
  155. 4.5.15.2: Army Teamsters
  156. 4.5.15.3: Taking Sunflower to Teacher
  157. 4.5.15.4: The Life Line
  158. 4.5.15.5: The Fog Warning (or Halibut Fishing)
  159. 4.5.15.6: Northeaster
  160. 4.5.16: Grafton Tyler Brown, View of the Lower Falls, Grand Canyon of the Yellowstone
  161. 4.6: Western art
  162. 4.6.1: Thomas Moran, Grand Canyon of the Yellowstone
  163. 4.6.2: The end of an era- Remington's The Fall of the Cowboy
  164. 4.7: Aestheticism and the Gilded Age
  165. 4.7.1: James Abbott McNeill Whistler
  166. 4.7.1.1: Symphony in White, No. 1- The White Girl
  167. 4.7.1.2: Nocturne in Black and Gold- The Falling Rocket
  168. 4.7.2: John Singer Sargent
  169. 4.7.2.1: El Jaleo
  170. 4.7.2.2: The Daughters of Edward Darley Boit
  171. 4.7.2.3: Madame X (Madame Pierre Gautreau)
  172. 4.7.2.4: Carnation, Lily, Lily, Rose
  173. 4.7.2.5: Kehinde Wiley on John Singer Sargent
  174. 4.7.3: Childe Hassam
  175. 4.7.3.1: Childe Hassam, Snowstorm, Madison Square
  176. 4.7.3.2: Childe Hassam, Horticulture Building, World’s Columbian Exposition, Chicago
  177. 4.8: Photography
  178. 4.8.1: Carleton Watkins
  179. 4.8.1.1: Eagle Creek, Columbia River
  180. 4.8.1.2: Peaks and perils- The life of Carleton Watkins
  181. 4.8.2: Timothy O’Sullivan
  182. 4.8.2.1: A Harvest of Death
  183. 4.8.2.2: Ancient Ruins in the Cañon de Chelle
  184. 4.8.3: Jacob Riis, “Knee-Pants” at Forty-Five Cents a Dozen—A Ludlow Street Sweater’s Shop, from How the Other Half Lives
  185. 4.9: Sculpture and architecture
  186. 13.4.9.21: Burnham and Root
  187. 4.9.21.1: The Monadnock Building
  188. 4.9.21.2: Reliance Building
  189. 13.4.9.23: Carrère and Hastings, The New York Public Library
  190. 4.9.1: The Alamo (and Mission San Antonio de Valero)
  191. 4.9.2: Inventing America, Colt’s Experimental Pocket Pistol
  192. 4.9.3: Cultures and slavery in the American south- a Face Jug from Edgefield county
  193. 4.9.4: David Drake, Double-handled jug
  194. 4.9.5: Little Round House
  195. 4.9.6: John Quincy Adams Ward, The Freedman
  196. 4.9.7: Anna Pottery, Snake jug
  197. 4.9.8: Hiram Powers, The Greek Slave
  198. 4.9.9: William Wetmore Story, Cleopatra
  199. 4.9.10: Thomas Crawford, George Washington Equestrian Monument
  200. 4.9.11: Slave Burial Ground, University of Alabama
  201. 4.9.12: Seneca Village- the lost history of African Americans in New York
  202. 4.9.13: Olmsted and Vaux, Central Park
  203. 4.9.14: William Howard (attributed), Writing desk
  204. 4.9.15: Herter Brothers, Mark Hopkins House Side Chair
  205. 4.9.16: Robert Mills and Lieutenant Colonel Thomas Lincoln Casey, Washington Monument
  206. 4.9.17: The light of democracy — examining the Statue of Liberty
  207. 4.9.18: Monument Avenue and the Lost Cause
  208. 4.9.19: Defeated, heroized, dismantled- Richmond’s Robert E. Lee Monument
  209. 4.9.20: Shrady and Casey, Ulysses S. Grant Memorial
  210. 4.9.22: Louis Sullivan
  211. 13.4.9.22.2: Carson, Pirie, Scott Building
  212. 4.9.22.1: Bayard-Condict Building
  213. 5: Canada in the 19th Century
  214. 13.5.1: “A Cheap Farm House,” c. 1864–onward
  215. 13.5.2: William Notman, Ice Shove, Commissioner Street, Montreal
  216. 13.5.3: Frances Jones (Bannerman), In the Conservatory
  217. Back Matter
  218. Index
  219. Glossary
  220. Detailed Licensing
  221. Detailed Licensing