Carving from an Overmantel
Grinling Gibbons (British, 1648–1721)
c. 1675–77
- Medium
- linden wood
- Classification
- Sculpture
- Culture
- England, 17th century (Charles II)
- Museum
- Cleveland Museum of Art, European Painting and Sculpture
- Credit line
- Grace Rainey Rogers Fund
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed
View at the Cleveland Museum of Art
About this work
The arrangement of architectural elements within grand interior spaces in the late 1600s and early 1700s emphasized symmetry and height. Decorative elements such as elaborately carved mantels, mirrors, paintings, and applied wall decorations were often stacked to achieve a visual focal point at one or both ends of the room. This particular overmantel decoration once hung above the fireplace in the Green Drawing Room of the Earl of Essex at Cassiobury in Watford, near London. In 1823, the British painter William Henry Hunt (1790–1864) produced a watercolor of the drawing room which featured this overmantel decoration.
Grinling Gibbons was born in Rotterdam, the Netherlands, of English parents. After training there as an artist, he came to England in the 1660s and soon began to work as a sculptor of interior ornament, particularly in wood. One of his first large-scale decorative projects was the series of interiors at Cassiobury House.
