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Aulad Tied to a Plane Tree, from a Shahnama by Firdausi
Sadiqi Bek (Iranian, 1533–1609)
1575–1600
- Medium
- opaque watercolor, gold, and silver on paper
- Classification
- Manuscript
- Dimensions
- Sheet: 33.5 x 23.5 cm (13 3/16 x 9 1/4 in.); Image: 33.5 x 23.5 cm (13 3/16 x 9 1/4 in.)
- Culture
- Iran, Qazvin or Isfahan?, Safavid period (1501–1722)
- Museum
- Cleveland Museum of Art, Islamic Art
- Credit line
- Andrew R. and Martha Holden Jennings Fund
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Little Ones profiles and older: it shows gentle subjects for the very young. How works are placed
View at the Cleveland Museum of Art
About this work
This large-scale illustration reflects a new aesthetic with simpler paintings of isolated figures which artists signed for less sophisticated patrons in the marketplace, replacing the previous idealized court style as a result of decreased support under Shah ‘Abbas (reigned 1587–1629). Instead, he improved the infrastructure to increase international trade and the country’s wealth.
The scene depicts Aulad, who guided the legendary hero Rustam through numerous ordeals. Since Aulad was not entirely trusted, Rustam often tied him to a tree, here a plane tree which shelters a pair of nesting birds. The painter, poet, and royal librarian Sadiqi Bek signed his name in tiny script on the brown rock below Aulad.
