Chinese Beauty

Kubo Shunman (Japanese, 1757–1820)

late 1700s–early 1800s

Medium
Hanging scroll; ink and color on silk
Classification
Painting
Dimensions
Image: 96 x 37 cm (37 13/16 x 14 9/16 in.); Overall: 184.2 x 53.3 cm (72 1/2 x 21 in.)
Culture
Japan, Edo period (1615–1868)
Museum
Cleveland Museum of Art, Japanese Art
Credit line
Kelvin Smith Fund
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed

View at the Cleveland Museum of Art

About this work

Ukiyo-e artists’ exploration of beautiful people extended to figures from other lands. Here, an elegant Chinese palace lady holding a fan stands before a banana plant. The poem at the top is written in a Japanese appropriation of Chinese called kanbun. Based on its imagery of a palanquin (an enclosed couch with poles used for carrying passengers), silk fan, and autumn winds, it may allude to the story of Lady Ban (about 48 BC–about AD 2). A Chinese beauty famous for her scholarly achievements, Ban was once consort to an emperor but later lost his favor. In a poem attributed to her, she compared herself to a used silk fan put away in autumn.