Scenes of Witchcraft: Night

Salvator Rosa (Italian, 1615–1673)

c. 1645–49

Medium
oil on canvas
Classification
Painting
Dimensions
Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)
Culture
Italy
Museum
Cleveland Museum of Art, European Painting and Sculpture
Credit line
Purchase from the J. H. Wade Fund
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its subject is for older viewers (war, death, the Passion, drink or the like). How works are placed

View at the Cleveland Museum of Art

About this work

In the pitch black of night, two groups of men are gathered in a forest. To the left, travelers apprehensively pause to watch a magician conjure terrifying apparitions. Since the Middle Ages, necromancy, the act of communing with the dead, was associated with male sorcerers. In Rosa's painting, the wizened necromancer who stands tall and resolute directly below a classical column is reminiscent of Moses, a predecessor to Renaissance depictions of sorcerers. Rosa's learned magicians not only invoke associations with philosophers and intellects, but they would have also referred to the artist himself and the intellectual elite with whom he associated in Florence. Just as a powerful magician could conjure strange creatures with his wand, so too could Rosa shape a strange world with his originality, intelligence, and the skillful use of paint and brush.