Window mode follows your eyes with your camera, in this browser only: no picture or position leaves your device.
The king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night
Ghulam 'Ali (Indian, active 1550s-1590s)
c. 1560
- Medium
- gum tempera, ink, and gold on paper
- Classification
- Painting
- Dimensions
- Overall: 20 x 14.7 cm (7 7/8 x 5 13/16 in.); Painting only: 11.5 x 10.3 cm (4 1/2 x 4 1/16 in.)
- Culture
- Mughal India, court of Akbar (reigned 1556–1605)
- Museum
- Cleveland Museum of Art, Indian and Southeast Asian Art
- Credit line
- Gift of Mrs. A. Dean Perry
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Teens profiles and older: its subject is for older viewers (war, death, the Passion, drink or the like). How works are placed
View at the Cleveland Museum of Art
About this work
His hands raised in a gesture of respectful greeting, the Raja got down from his throne to welcome the king of the ocean, wearing a crown with white flowers. At the left, the Brahman holds a rosary in his hands. The raja wears the clothing and turban favored by Emperor Akbar: fine white muslin tunic with long points, pants, and a ready-tied flat turban. The king of the ocean is dressed like the Brahman, with a wrapped lower garment called a dhoti, and he wears a sacred thread over his left shoulder, which is the mark of a high-born Hindu.