The deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night, by Shravana, c. 1560
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The deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night

Shravana (Indian, active 1550s–c.1600)

c. 1560

Medium
gum tempera, ink, and gold on paper
Classification
Painting
Dimensions
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 10.5 x 10 cm (4 1/8 x 3 15/16 in.)
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Museum
Cleveland Museum of Art, Indian and Southeast Asian Art
Credit line
Gift of Mrs. A. Dean Perry
Rights
Public domain (CC0), as the museum states it.
Who can see it
Tweens profiles and older: its subjects are known and suit older children. How works are placed

View at the Cleveland Museum of Art

About this work

The lover of the unfaithful wife sent a female messenger to arrange for their rendezvous. In a false display of horror, the wily adulteress blackened the face of the messenger as though to disgrace her and threw her out of the house, ordering her to be dumped by the side of a canal. That act, however, was a coded message to her lover to meet at the dark of night at that same location. The Indian artist Shravana added the pink brick wall to lend a sense of depth and dimensionality to the scene.