The Costermonger, by Pierre Bonnard, 1899
Gallery mode Full size at the museum

Window mode follows your eyes with your camera, in this browser only: no picture or position leaves your device.

The Costermonger

Pierre Bonnard (French, 1867–1947)

published by Published by Ambroise Vollard; Printed by Auguste Clot

1899

Medium
lithograph
Classification
Print
Dimensions
Sheet: 40.7 x 53.4 cm (16 x 21 in.); Image: 30.4 x 34 cm (11 15/16 x 13 3/8 in.)
Culture
France, 19th century
Museum
Cleveland Museum of Art, Prints
Credit line
Gift of the Hanna Fund
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its museum says too little about what it shows to place it for younger viewers. How works are placed

View at the Cleveland Museum of Art

About this work

This suite of color lithographs collected Pierre Bonnard’s observations of city life, ranging from animated street scenes to distant observations glimpsed from the artist’s Montmartre studio window. Rather than memorializing the famous monuments of Paris, Bonnard preferred to depict small neighborhood scenes populated by urbanites shopping and strolling and by vendors selling their wares. The setting for one of the prints is the second-largest public park in Paris, the Bois de Boulogne, which was a popular place for families to relax, stroll, and enjoy carriage rides around the lakes. Two prints are nocturnal scenes in which gaslight emanating from shop windows is reflected on the wet streets, creating passages of bright yellow in the otherwise dark compositions. Bonnard’s favorite subjects, such as the Parisienne—a young, fashionable, modern woman—as well as children and dogs, appear repeatedly throughout the prints in the suite.