Flower Clouds
Odilon Redon (French, 1840-1916)
c. 1903
- Medium
- Pastel, with touches of stumping, incising, and brushwork, on blue-gray wove paper with multi-colored fibers altered to tan, perimeter mounted to cardboard
- Classification
- Drawing and Watercolor
- Dimensions
- 44.5 × 54.2 cm (17 9/16 × 21 3/8 in.)
- Culture
- France
- Museum
- Art Institute of Chicago, Prints and Drawings
- Credit line
- Through prior bequest of Mr. and Mrs. Martin A. Ryerson Collection
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Little Ones profiles and older: it shows gentle subjects for the very young. How works are placed
View at the Art Institute of Chicago
About this work
The evocative, symbolic art of Odilon Redon drew its inspiration from the internal world of his imagination. For years this student of Rodolphe Bresdin worked only in black and white, producing powerful and haunting charcoal drawings, lithographs, and etchings. Just as these black works, or Noirs, began to receive critical and public acclaim in the 1890s, Redon discovered the marvels of color through the use of pastel. His immersion in color and this new technique brought about a change in the artist’s approach to his subject matter as well. Flower Clouds is one of a number of pastels executed around 1905 that are dominated by spiritual overtones. Here a sailboat bears two figures, perhaps two saintly women, on a timeless journey through a fantastic, phosphorescent sea and sky. The dreamlike skiff may reflect Redon’s internal voyage, replacing the nocturnal turmoil of the earlier Noirs with a more hopeful vision. The luminous intensity of the pastels echoes the ardent spirituality of the theme.
Description © Art Institute of Chicago, CC BY 4.0
