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Jar with Floral and Geometric Design
Iraq (Samarra)
Abbasid Caliphate (750–1258), 9th century
- Medium
- Earthenware oainted in luster with overglaze decoration
- Classification
- Ceramics
- Dimensions
- 22 × 26 cm (8 11/16 × 10 1/4 in.)
- Culture
- Mesopotamia
- Museum
- Art Institute of Chicago, Arts of Asia
- Credit line
- Mary Jane Gunsaulus Collection
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Little Ones profiles and older: it shows gentle subjects for the very young. How works are placed
View at the Art Institute of Chicago
About this work
During the Abbasid caliphate (750-1258), relative peace and an initially consolidated government allowed for the arts and sciences to flourish. The caliphate’s first capital, Baghdad, and its later capital, Samarra, became centers for cultural and commercial production. Some of antiquity’s most important scientific treatises, such as Ptolemy’s writings on the stars, were translated into Arabic while court inventors made advancements in medicine, chemistry, and mathematics. In the arts, poets such as Abu Nuwas invigorated classical Arabic literature, and artists developed a style of decoration that the west would later call “arabesque,” which refers to repetitive vegetal patterns that can be found in almost every medium of Islamic art.This jar, which has been attributed to the early 9th century, exhibits one of the most important artistic advancements that developed during the Abbasid caliphate—the introduction of luster painting over glaze. Luster-painted ceramics are considered particularly important objects both for their expensive production and their wide-ranging influence on later ceramics of the Islamic world and southern Europe. To achieve the metallic bronze of the luster…
Description © Art Institute of Chicago, CC BY 4.0
