Painting of a scene in a dimly-lit, cavernous room with a bassinet and small table. A shaft of light falls on four figures: a light-skinned woman in a white head covering, a baby on her lap, a male figure at her side, and a small dog at their feet. The couple feeds the fussing baby from a bowl, smiling.
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A Mother Feeding her Child (The Happy Mother)

Willem van Mieris (Dutch, 1662–1747)

1707

Medium
Oil on panel
Classification
Painting
Dimensions
56.9 × 48.4 cm (22 3/8 × 19 1/16 in.); Framed: 83.2 × 74.6 × 6.4 cm (32 3/4 × 29 3/8 × 2 1/2 in.)
Culture
Holland
Museum
Art Institute of Chicago, Painting and Sculpture of Europe
Credit line
Gift of Edson Keith
Rights
Public domain (CC0), as the museum states it.
Who can see it
Tweens profiles and older: its subjects are known and suit older children. How works are placed

View at the Art Institute of Chicago

About this work

In this scene of domestic life, Willem van Mieris employed the highly finished, enamel-like technique known as fine painting to achieve a surface that shows no obvious traces of brushwork. While painters like Gerard ter Borch and Caspar Netscher reserved this time-consuming style for rare and expensive textiles like silk, Van Mieris applied it to more commonplace materials. Here, for instance, the artist deftly applied highlights to the cane bassinet and ceramic pitcher on the table with the tip of his brush.

Description © Art Institute of Chicago, CC BY 4.0