Tetradrachm (Coin) Portraying Emperor Antiochos VIII Grypos, by Ancient Greek, 104-96 BCE, reign of Antiochos VIII Grypos (121–96 BCE)
Gallery mode Full size at the museum

Window mode follows your eyes with your camera, in this browser only: no picture or position leaves your device.

Tetradrachm (Coin) Portraying Emperor Antiochos VIII Grypos

Ancient Greek

104-96 BCE, reign of Antiochos VIII Grypos (121–96 BCE)

Medium
Silver
Classification
Coin
Dimensions
Diam.: 3.1 cm (1 1/4 in.)
Culture
Syria
Museum
Art Institute of Chicago, Arts of Greece, Rome, and Byzantium
Credit line
Gift of William F. Dunham
Rights
Public domain (CC0), as the museum states it.
Who can see it
Teens profiles and older: its subject is for older viewers (war, death, the Passion, drink or the like). How works are placed

View at the Art Institute of Chicago

About this work

The front (obverse) of this coin portrays a diademed head of Antiochus VIII Grypos to the right. On the back (reverse), the god Zeus is depicted, enthroned with a sceptre and Nike with a wreath; a lightening bolt is above.

Certainly the best-known face in antiquity was that of Alexander the Great (reigned 336–323 BCE), whose profile graced coins for two hundred years. He collected the treasure of conquered kingdoms as he swept across the Near East, and with this rich booty he set up mints that produced coins bearing his portrait. Such self-advertising was new to Greece. Mithrapata (reigned 380–370 BCE) is thought to have been the first living person to present his portrait on coins. Previously coins had pictured divinities and mythical characters.

The purpose of the first portrait coins was to identify the ruler. The front side became a mirror of the sovereign’s self-image. The back was often used to communicate the ruler’s accomplishments or intentions. The profile portrait was used because it suited the very shallow depth and limited surface of the coin. The tiny images were carved by engravers into bronze dies, one for the front and another for the back. The coins were then…

Description © Art Institute of Chicago, CC BY 4.0