Fireplace Surround
George Washington Maher (American, 1864–1926; Made by Louis J. Millet; American, 1855–1923)
1901
- Medium
- Oak and glazed earthenware
- Classification
- Furniture
- Dimensions
- Surround: 130.8 × 209.6 cm (51 1/2 × 82 1/2 in.); Mosaic: 111.8 × 162.6 cm (44 × 64 in.); Opening: 76.2 × 90.2 cm (30 × 35 1/2 in.)
- Culture
- United States
- Museum
- Art Institute of Chicago, Arts of the Americas
- Credit line
- Gift of Alan Wanzenberg in memory of Jed Johnson
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Little Ones profiles and older: it shows gentle subjects for the very young. How works are placed
View at the Art Institute of Chicago
About this work
Prairie School architect George Washington Maher worked for Joseph Lyman Silsbee before striking out on his own. During this period Maher developed a system of design that he called the “motif rhythm theory,” in which he created a signature motif to harmonize the interior and exterior of a house through the repetition of decorative details based on local natural forms. He frequently collaborated with Louis J. Millet on his commissions, including the Patrick J. King House (1901), from which this fireplace surround came. This extraordinary object is composed of glass mosaics and features one of Maher’s most prominent motifs, the stylized thistle. It is delicately rendered in shades ranging from pale seafoam green to vibrant greens, blues, and yellows. The fireplace surround is an outstanding example of Millet’s exacting execution of Maher’s designs.
Description © Art Institute of Chicago, CC BY 4.0
