Vessel with Black-and-White Motifs

Pueblo of Acoma (Pueblo of Acoma, New Mexico)

1890s

Medium
Earthenware and slip
Classification
Ceramics
Dimensions
46.4 × 48.9 cm (18 1/4 × 19 1/4 in.)
Culture
Pueblo of Acoma
Museum
Art Institute of Chicago, Arts of the Americas
Credit line
Robert Allerton Fund; Gladys N. Anderson Endowment; Mary and Leigh Block Endowment Fund
Rights
Public domain (CC0), as the museum states it.
Who can see it
Little Ones profiles and older: it shows gentle subjects for the very young. How works are placed

View at the Art Institute of Chicago

About this work

In the American Southwest, there is an Indian ceramic tradition that began to take form in the early centuries A.D. and has continued unbroken to the present time. Characterized by its many superbly varied styles, the art has been sustained by diverse Pueblo peoples and some of their neighbors, whose ancient and more recent settlements have long been established in the arid regions of Arizona and New Mexico. Ceramic artist of the Ácoma Pueblo, west of Albuquerque, produced an especially distinguished series of vessels during the late nineteenth and early twentieth centuries.

This large olla is shaped with a truncated neck that slopes in a gentle curve to the high, rounded shoulder; the full, swelling body tapers smoothly down to the rounded bottom. A finely painted pattern of black-and white abstract designs covers the surface. The dominant decorative features are three medallions, each rimmed by black petals. Within each medallion, and divided by a central vertical strip adorned with zigzag triangles, are twin semicircular, double-ended bands filled with fine hatch marks; these, in turn, enclose inner designs of curving, triangular elements. The medallions themselves are…

Description © Art Institute of Chicago, CC BY 4.0