Arabesque
Hilaire Germain Edgar Degas (French, 1834–1917)
Modeled 1885–90, cast 1919–21
- Medium
- Bronze
- Classification
- Sculpture
- Dimensions
- 54.6 × 61 cm (21 1/2 × 24 in.)
- Culture
- France
- Museum
- Art Institute of Chicago, Painting and Sculpture of Europe
- Credit line
- Gift of George F. Porter
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Art Institute of Chicago
About this work
After Edgar Degas’s death in 1917, a large group of sculptures were discovered in his studio, most of them modeled in wax. With one exception, the works had never been exhibited during his lifetime and were virtually unknown to his contemporaries. Parisian foundry A. A. Hébrard eventually cast 74 of the figures into bronze, and three of the resulting sculptures in the collection of the Art Institute: Dancer Ready to Dance, Right Foot Forward, Arabesque, and Woman Arranging Her Hair.
In Dancer Ready to Dance, the figure performs the tendu exercise, repeatedly extending and retracting her leg to strengthen certain muscles. Arabesque depicts the final movement of an arabesque penchée, in which the dancer gracefully tilts her body forward while extending one leg up and back. In the sculpture at far right, the woman is probably drying her hair after washing it in separate sections, as was common practice in the 19th century.
Description © Art Institute of Chicago, CC BY 4.0
