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Stowing Sail
Winslow Homer (American, 1836-1910)
1903
- Medium
- Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, scraping and graphite, on thick, moderately textured (twill texture on verso), ivory wove paper
- Classification
- Drawing and Watercolor
- Dimensions
- 35.5 × 55.4 cm (14 × 21 13/16 in.)
- Culture
- United States
- Museum
- Art Institute of Chicago, Prints and Drawings
- Credit line
- Mr. and Mrs. Martin A. Ryerson Collection
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Art Institute of Chicago
About this work
Homer created sparkling watercolor sketches of sailboats in Bahamian waters during his 1898-99 Bahamas trip. When he visited Key West, Florida, in the winter of 1903-04, he further indulged his interest in the details of local boating. There, Homer painted Stowing Sail on December 22, 1903. Everything about this watercolor points toward rapid, plein-air execution. The artist’s graphite underdrawing is a quick and sketchy series of lines that establish the major contours on the sheet. Pentiments, or shifts, in the underdrawing show that when he began the sketch, the figure was leaning further forward, gathering the sail over the back of the boat. This adjustment suggests that Homer was working quickly to keep up with the man’s progress. Homer applied all of his washes directly within the forms marked in the underdrawing, working wet-on-wet, as if there were not enough time to wait for one to dry before adding the next. When he brushed the heavy, red stroke at the front of the boat, it bled upward into the still-wet blue shadow on the side.
Description © Art Institute of Chicago, CC BY 4.0
