Self-Portrait with a Visor
Jean Siméon Chardin (French, 1699-1779)
c. 1776
- Medium
- Pastel on blue laid paper, laid down on canvas
- Classification
- Drawing and Watercolor
- Dimensions
- 45.7 × 37.4 cm (18 × 14 3/4 in.)
- Culture
- France
- Museum
- Art Institute of Chicago, Prints and Drawings
- Credit line
- Clarence Buckingham Collection and the Harold Joachim Memorial Fund
- Rights
- Public domain (CC0), as the museum states it.
- Who can see it
- Tweens profiles and older: its subjects are known and suit older children. How works are placed
View at the Art Institute of Chicago
About this work
Over a century after its creation, the French novelist Marcel Proust said of Jean-Siméon Chardin’s audacious self-portrait, “This old oddity is so intelligent, so crazy . . . above all, so much of an artist.” In a fitting finale to a long, successful career as a painter of still lifes and genre scenes, Chardin turned in his last decade to a new medium, pastel, and to a new subject matter, portraits (primarily self-portraits). Eye problems arising from lead-based oil paint poisoning were the partial cause of this dramatic change. Of his thirteen extant pastel self-portraits, the most famous are versions of the example seen here, with the casually dressed, aging artist in his studio. A virtuoso colorist, the septuagenarian here revealed a joyously free stroke and palette. Nonetheless, the construction of the figure is solid and rigorous, adding to his powerful presence. This composition was created at the same time as a portrait of the artist’s wife for the 1775 Salon (Musée du Louvre, Paris). A year later, Chardin—with greater daring—replicated the pair. These later portraits were separated for almost two hundred years, until they were reunited in the collection of the Art…
Description © Art Institute of Chicago, CC BY 4.0
