# Montage V: How To Play Pinball, 1963

Montage V: How To Play Pinball (1963) Music: Jean Eichelberger Ivey Titles: Wilbur R. Elsea Film: Wayne D. Sourbeer A kaleidoscopic whirl of imagery from pinball machine art, presented in true montage fashion with rapid editing, overlapping dissolves, and off-center camera angles. It also features a score by noted composer Jean Eichelberger Ivey. The film ends, sadly one supposes, with a big TILT. The Montage Series By Ben Urish Beginning in 1951 Wichita, Kansas had a vibrant and adventurous film society. The Wichita Film Society ( WFS ) was a focal point for those interested in the cinema arts and was both an institution of education, exhibition, and a hub for other aspects of the local art and theater scenes. By the late 1950s, the WFS had several members and frequent patrons who wanted to make films of their own and in 1959, three of them formed Montage Productions , named after their interest in the films (and film theories) of Sergei Eisenstein and V.I Pudovkin. The films in the series eventually were tied together by two broad and broadly defined attributes: 1) they were about people or places (or both) in Kansas, and 2) the films were artistic representations of other artistic representations, broadly defined. The series lasted until 1965 by which time the m e m bers ' careers took them away from Wichita and each other. Each film had its premiere at a WFS screening. Credits as they appear in the films and a brief synopsis of the films are printed below. In the early…

- Kind: Short
- Year: 1963
- By: Demolition Kitchen Video
- Archive: [Internet Archive](https://archive.org/details/MontageHowToPlayPinball1963)
- Licence or status: [CC BY-NC-ND 4.0](https://creativecommons.org/licenses/by-nc-nd/4.0/) (as the archive states it)
- Who can watch: Teens profiles and older (the archive gives no rating; placed by Invisible Network from its collection and subjects)

Not offered: what its record states (its uploader's public-domain mark, or a licence not shown to be its rights holder's) leaves its US term to decide, and it is dated 1963; under US law a work of that year is free only on facts the site does not hold for it (its US renewal records, or its own country's term on 1 January 1996 for a work published abroad), and otherwise its US term runs to the end of 2058. Unclear is not offered.